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Das Boot - Season 1 [Sub: Eng]

Description
The series begins with many scenes of war and drama. The series opens with Ulrich Wrangel and his men caught in a battle with an American frigate. Meanwhile, in occupied France, Captain Klaus Hoffmann worried that he would not be able to rise to the reputation of his famous father. On the other hand, on the U-612, men adapt to their new lives. Meanwhile in La Rochelle, Simon is struggling to gather what happened the previous evening.
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Das Boot - Season 1 [Sub: Eng]
CRITICS OF "Das Boot - Season 1 [Sub: Eng]"
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The Arts Desk
Resource

February 07, 2019

Thrills and chills a-plenty in store, it would seem.
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Times (UK)
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February 11, 2019

It's German, anyway, and it's a series, and the first ten minutes of the first episode are up there with the most thrilling depictions of submarine warfare you will see. Although then things slow down a tad.
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Stuff.co.nz
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February 12, 2019

Although it takes a bit of getting used to switching between the subtitles for the French and German portions and the smattering of English on display, Das Boot certainly delivers on drama and tension.
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Sunday Times (UK)
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February 11, 2019

It didn't shut out quite enough light and air, but it went just deep enough.
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The Age (Australia)
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February 12, 2019

It's gritty and European and there's shocking violence and many a blokey, navy joke that likely wouldn't make the final edit in some series. But it's also well scripted and beautifully filmed.
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Guardian
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February 12, 2019

This series, coy as it may be about its status as a reboot, is an extremely capable addition to the canon.
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Observer (UK)
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February 12, 2019

For all that, if you can forget the original, this is (eventually) a galloping good watch - three episodes in, it improves immensely and one starts to care. But that's a big "if".
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Daily Telegraph (UK)
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February 07, 2019

This new version is hailing itself as a U-boat drama for the #MeToo generation.
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Financial Times
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February 13, 2019

Everything's enhanced by the throbbing soundtrack, like something Bowie and Eno left behind in the vault at Hansa.
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New Statesman
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February 06, 2019

Each episode is like a shot of something very illegal to my arm. Played in more than one language, by an international cast, the miracle is, moreover, that it also allows you to feel vaguely hopeful about the future for whole minutes at a time.
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