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Little Ashes
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CRITICS OF "Little Ashes"
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The Age (Australia)
Resource

March 25, 2010

The drawcard of Robert ''Twilight'' Pattinson as Dali is a mixed blessing for the filmmakers, given how ill-at-ease he is in the role. Javier Beltran, as Garcia Lorca, cast as the heroic centre of the film, cuts a more confident figure.
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Old School Reviews
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September 16, 2009

limps along about as lifelessly as one of Dali's melting clocks
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Boston Globe
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May 21, 2009

What's intended to be a daring look at repressed sexuality, three-ways and all, has the dramatic heft of a true-love comic book.
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International Press Academy
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August 18, 2009

It's not even worth it for Robert Pattinson, who is shown in the movie, nearly fully naked, with his privates tucked between his legs, but everything else showing.
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Sydney Morning Herald
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March 25, 2010

It feels as though Morrison and Goslett are trying too hard to emulate the work of their subjects.
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Deseret News, Salt Lake City
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September 03, 2009

Beltran tries to give this flimsy nonsense some weight, but Brits McNulty and Pattinson's attempts at a Spanish accent are woeful.
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Washington Post
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May 29, 2009

Beltran, for his part, makes a solidly believable Garcia Lorca. The problem is with the man with whom he's obsessed. In Pattinson's performance, we never see what Garcia Lorca sees in Dali.
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Urban Cinefile
Resource

March 18, 2010

A snapshot of an insight into the life of Salvador Dali, one of the most complex artists in history and it intensifies rather than satisfies our curiosity about him
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Seattle Times

May 14, 2009

Better to seek out these artists' works firsthand than to settle for this tame rehash, pretty as it may be.
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St. Louis Post-Dispatch

May 28, 2009

Little Ashes is stylish enough to beguile and bold enough to provoke, but it's not bright enough to illuminate.
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Philadelphia Inquirer
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June 26, 2009

A bravely earnest and gauzy bit of biography.
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Toronto Star
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May 22, 2009

Even cinematographer Adam Suschitzky's richly textured and resonantly toned cityscapes and rural scenes can't make up for a flawed script and weak performances in what might have been a powerful historical drama.
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