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He Got Game
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He Got Game
CRITICS OF "He Got Game"
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Film4
Resource

March 25, 2008

Lee's attack on how big business is not only ruining the game he loves but also playing with people's lives is direct and brave, while his passion, insight and intelligence are evident and admirable.
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Reeling Reviews
Resource

April 09, 2005

Lee paints intimate characters who are about more than the game. Themes of integrity, honesty, loyalty and familial love are woven through the film resulting in a complex, thought-provoking human drama.
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Time Out
Resource

February 09, 2006

Most scenes play too long, with a surplus of ideas, textures, tones and characters, and after 134 minutes it's clear Lee's problem with closure hasn't gone away.
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rec.arts.movies.reviews

June 07, 2004

Flawed but powerful.
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rec.arts.movies.reviews
Resource

January 07, 2009

A long, boring, meandering, dog of a movie.
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Courier-Journal (Louisville, KY)
Resource

June 28, 2004

Shrewdly exposes the underbelly of college recruiting and the pressures exerted on talented high school basketball stars.
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New York Observer
Resource

April 27, 2007

At the end of Mr. Lee's movie, all you feel is the distraction of Mr. Lee's stylistic exhibitionism, without which, I concede, he might not be regarded as a genius in some quarters.
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TV Guide
Resource

March 25, 2007

Though too long by a good half hour, Lee's latest film packs a genuine emotional punch.
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San Francisco Chronicle
Resource

June 18, 2002

Washington's Jake Shuttlesworth looks tough and hard, an odd but refreshing turn for an actor long associated with handsomely heroic roles.
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Slate

March 25, 2007

[Lee] gets a charming performance from Allen, who, in his acting debut, occupies his pedestal with grace and diffidence.
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Variety

March 25, 2008

Lacking the moral indignation and militant politics of Lee's former work, this vibrantly colorful father-son melodrama is soft at the center, but it's one of the most accessible films Lee has made and Denzel Washington is terrific.
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Chicago Reader
Resource

March 25, 2007

As usual, Lee tries many kinds of stylistic effects and uses wall-to-wall music (by Aaron Copland and Public Enemy); what's different this time is how personally driven the story feels.
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