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After Everything
Elliot is a young and carefree New Yorker whose world gets turned upside down when he finds out that he has cancer. He soon finds comfort and happiness when he falls in love with Mia, a woman who sticks with him through the hard times.
9 January 1989, Baltimore, Maryland, USA
17 May 1989, Brooklyn, New York City, New York, USA
20 January 1979, Virginia, Minnesota, USA
17 May 1974, Chicago, Illinois, USA
19 December 1961, Jamaica, New York, USA
16 October 1972, Lincoln, Nebraska, USA
20 July 1964, New York City, New York, USA
23 July 1970, Lancaster, Pennsylvania, USA
28 May 1993, Beverly Hills, California, USA
October 16, 2018
Despite its many charms, Shotgun never fully feels like something to care about. It is enjoyable, but only passably.
October 11, 2018
A fresh twist on an oft-told tale makes for a strong filmmaking debut.
July 12, 2018
Monroe's grounded presence keeps the film's feet on the ground, while White allows his character to spin into orbit when self-pity commands it.
October 10, 2018
After Everything presents an on-screen relationship that's supposed to be charmingly dysfunctional, but by all indications is wildly imbalanced at best and toxic at worst.
October 19, 2018
The gimmicky structure and overreliance on cutesy quirks suppress the emotional impact.
October 10, 2018
After Everything shows us that there's always a future at the end of the journey.
October 11, 2018
A promising, if flawed, start for this directing duo.
October 12, 2018
Realistic, touching romance has sex, substances, swearing.
July 12, 2018
"Shotgun" lives and dies on the chemistry of its leads and White and Monroe simply work as a couple.
October 11, 2018
White and Monroe demonstrate natural chemistry, and they discretely suggest the private experiences of their characters, the youthful doubts that can't be extinguished by passion.
October 12, 2018
As long as the focus is on [Monroe] and [White], the film is involving and moving.
October 09, 2018
Featuring terrific performances by its young leads, the film marks an auspicious feature debut for its writers/directors.

