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Stella's Last Weekend
The romantic rivalry between the two brothers escalated. The event begins when Oliver falls in love with a girl named Violet. It seems that his older brother, Jack, was not lucky in his emotional life, having established a real relationship with a girl but failed for no reason. When Jack returns home he will discover that the girl he loved is the same girl that his brother loved. A new and exciting type of comedy mixed with romance.














27 April 2003



3 August 1966, The Bronx, New York City, New York, USA







1 November 1997, New York City, New York, USA







20 May 1992

15 June 1955, Gary, Indiana, USA

17 December 1994, Los Angeles, California, USA



October 12, 2018
This effective indie dramedy unravels a bit in the end as it eagerly attempts to wrap up each and every one of its conflicts, but before then it's a rowdy, touching, keenly observed slice of life.
October 11, 2018
Feels insincere, with too much corrosive behavior clouding the themes of the film and the needs of the characters.
October 11, 2018
Both Wolffs are pretty charismatic and funny. Their rat-a-tat dialogue seems largely improvised (either that or Draper is particularly adept at teen humor) and undoubtedly reflective of a warm sibling relationship.
October 10, 2018
I now want to see more films starring the Wolff brothers as leads.
October 22, 2018
Big guffaws throughout, sprinkled with little chortles to maintain its pace.
October 10, 2018
Real-life brothers Nat and Alex Wolff are squabbling siblings in this weak rom-com.
October 15, 2018
It's a loose and chatty affair, leaning on on a lifetime of familial riffing.
October 12, 2018
There's a special kind of alchemy that can be found when relatives share the screen.
October 11, 2018
Stella's Last Weekend seems like it was more fun to make than watch.
October 12, 2018
The Wolffs are fine actors, and, no shocker, convincing siblings. But they're playing characters, well, only a mother could love.
October 19, 2018
Draper uses her understanding of her sons as people and actors to shape their characters and performances. In return, the trust they have in her allows them to be completely open.
October 11, 2018
Draper captures the kind of loving openness that binds together families when the two qualities truly coexist.