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Debra Winger

Debra Winger

Birthday: 16 May 1955, Cleveland Heights, Ohio, USA
Birth Name: Debra Lynn Winger
Height: 163 cm

Mary Debra Winger was born May 16, 1955 in Cleveland, Ohio, to Ruth (Felder), an officer manager, and Robert Jack Winger, a meat packer. She is from a Jewish family (originally from Austria-Hungary an ...Show More

Debra Winger
[on Urban Cowboy (1980)]: I loved it. It was the opening of everything for me because of the way Jam Show more [on Urban Cowboy (1980)]: I loved it. It was the opening of everything for me because of the way James Bridges worked: the freedom, the collaboration, the end product. It was a slice of life, that movie. I'm real proud of it. Hide
[on An Officer and a Gentleman (1982)] I run in to Richard Gere quite a lot and he half jokes, 'Are Show more [on An Officer and a Gentleman (1982)] I run in to Richard Gere quite a lot and he half jokes, 'Are you still saying terrible things about me?' Hide
I used to love going on a junket and promoting a film when it was not a 24-hour news cycle, and when Show more I used to love going on a junket and promoting a film when it was not a 24-hour news cycle, and when there weren't so many media outlets. You could actually talk about the film. And I don't mean to harp on this because, really, it's fine. It's just that it eats itself. It becomes about itself, and its symbiotic and weird and I don't understand the celebrity of it. Hide
[She earned Best Actress Oscar nominations for playing young women who died of cancer in Terms of En Show more [She earned Best Actress Oscar nominations for playing young women who died of cancer in Terms of Endearment (1983) and in Shadowlands (1993)] I remember walking through the living room years ago when the series Roseanne (1988) was on. John Goodman said, "Come on, do you want to go down to the multiplex and watch Debra Winger cough up another lung?" It was the funniest line to me. Then I realized, that's it for me. I can never do another film about death. I've cashed that card. Hide
I do admit to being challenging, but it's always for the work, it's never personal. I will walk out Show more I do admit to being challenging, but it's always for the work, it's never personal. I will walk out on a scene if it's all lit and ready to go but it's not happening. Just because we're on schedule is no reason to shoot bad acting. Someone once said to me, "You're inconsiderate." And I said, "Inconsiderate? Bad acting is the ultimate inconsideration." It's a collective slap to a million faces at the same time. Hide
[In 2010, 17 years after her Oscar-nominated performance in Shadowlands (1993) came out, she told th Show more [In 2010, 17 years after her Oscar-nominated performance in Shadowlands (1993) came out, she told the "New York Times"] It was the most literate script I've ever read. I was sad every day that I wouldn't ever say those lines again. Hide
I have trouble with star billing. I remember thinking on Cannery Row (1982): How can I put my name a Show more I have trouble with star billing. I remember thinking on Cannery Row (1982): How can I put my name ahead of Steinbeck's? Hide
[on her film debut in Slumber Party '57 (1976)] A cigar-smoking agent had signed me while I was wait Show more [on her film debut in Slumber Party '57 (1976)] A cigar-smoking agent had signed me while I was waitressing, but that only resulted in a blue movie. Hide
[In 2008, responding to Lynda Carter's claim that Winger made disparaging comments about the 1970s " Show more [In 2008, responding to Lynda Carter's claim that Winger made disparaging comments about the 1970s "Wonder Woman" show where they played sisters] I don't know what she's referring to except I used to make jokes about her costumes. But she did have these golden tits that stuck out and when she turned, they didn't. I was 18 years old, staring at these gold bazooms that didn't move. That's all I ever said. So there you go. Lighten up. Hide
[on Legal Eagles (1986)] I don't regret doing it, but I don't think it stands on its own against goo Show more [on Legal Eagles (1986)] I don't regret doing it, but I don't think it stands on its own against good films. It was a nightmare to make. Shooting was supposed to be ten weeks, and it went on for four months. And it was fat - almost $40 million - and, politically, I'm opposed to that kind of money unless it's an epic. I took my salary and left. Hide
[on Bernardo Bertolucci] For me, Bernardo is The Function. The only way I can explain it is in the a Show more [on Bernardo Bertolucci] For me, Bernardo is The Function. The only way I can explain it is in the analogy with mathematics and the word 'function' - addition, subtraction, multiplication, anything that numbers go through and change because of it. And when the function is a function of love, the drapes on the windows, the doors that are hung, the characters, the clothes, everything goes through this function and comes out touched and inspired by it. There are a lot of numbers but what really matters is the function. Hide
[on her early roles in commercials] I was the all-American face. You name it, honey - American Dairy Show more [on her early roles in commercials] I was the all-American face. You name it, honey - American Dairy Milk, Metropolitan Life insurance, McDonald's, Burger King. The Face That Didn't Matter - that's what I called my face. Hide
[on being labeled "difficult"] It was like armor. It kept the fainthearted at a distance. But perhap Show more [on being labeled "difficult"] It was like armor. It kept the fainthearted at a distance. But perhaps I was too tough. Hide
Debra Winger's FILMOGRAPHY
as Actor (84)
Debra Winger Debra Winger'S roles
Linda
Linda

Maggie Bennett
Maggie Bennett

Paula Pokrifki
Paula Pokrifki

Robin
Robin

Maggie Bennett
Maggie Bennett

Frances Greer
Frances Greer

Sissy
Sissy

Emma Horton
Emma Horton

Mary
Mary

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