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Zoe (2018)
Director Drake Doremus's science fiction romance envisions a Pygmalion-esque dynamic between a lonesome artificial-intelligence engineer/divorcee (Ewan McGregor) and Zoe (Léa Seydoux), the highly realistic synthetic human he created. Christina Aguilera features as a robot prostitute in this cinematic exploration of how technology is disrupting romance.
9 March 1980, Las Vegas, Nevada, USA
11 November 1967, London, England, UK
18 December 1980, Staten Island, New York City, New York, USA
May 08, 2018
While the story itself was blasé, the soundtrack's loud, techno beat made my heart race, forcing me to keep myself invested in the film
April 28, 2018
Drake Doremus's compositions seem to be motivated by the idea that there's no more profound image than sunlight reflecting off one-half of a character's face.
April 22, 2018
A beautifully acted, affecting drama that teases some questions society may need to answer sooner than we expect.
April 22, 2018
Doremus, and screenwriter Richard Greenberg, have packed their film with intriguing questions.
May 09, 2018
You'd be better served just watching the most sexist bits from The Island and calling it a day.
April 24, 2018
Zoe is a film that mixes science fiction with romance in a way that makes it stand apart from the likes of Her.
May 01, 2018
This is a movie that casts Christina Aguilera as a robot and yet still manages to be boring.
April 30, 2018
By the end, all we're feeling is wearied out.
May 12, 2018
Zoe's main focal point is love, and unfortunately for me, no matter how hard I yearned for a connection, I didn't fall head over heels.
April 23, 2018
If we ever truly sympathize with Doremus' nebulous characters, it's only because they help us appreciate how painful it can be to spend so much time trying to divine meaning from utter emptiness.
July 20, 2018
The non-stop, navel-gazing, faux philosophical dialogue about love starts to feel like some strange experiment itself.
April 23, 2018
The movie, though it's not badly told, fails to grip you.