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Wildlife
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Wildlife
CRITICS OF "Wildlife"
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Cinemalogue
Resource

October 19, 2018

In this evocative, melancholy adaptation of a Richard Ford novel, some terrific performances balance out an uneven script that's sometimes difficult to penetrate.
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Shadows on the Wall
Resource

October 17, 2018

The film belongs to Oxenbould, who comes of age with a role that's layered and powerfully compelling.
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Los Angeles Times
Resource

October 18, 2018

If the drama feels somewhat studied - though it would be more accurate to say that it simply feels thought through - it is never airless or constricted. The story maintains a steady emotional pulse alongside its meticulous accrual of details...
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Hollywood News
Resource

October 17, 2018

Impeccably acted, brilliantly written, confidently directed, and full of quiet desperation, it's rather magnificent.
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Consequence of Sound
Resource

October 19, 2018

Much like his tempered onscreen persona, Paul Dano's directorial debut is quiet, considered, and deeply sensitive.
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Refinery29
Resource

October 17, 2018

Actor Paul Dano's directorial debut... is a complex, deep dive into the psyche of a broken family in an era where the veneer of happiness is prized above all.
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New York Post
Resource

October 18, 2018

Gyllenhaal and Mulligan are in fine form here, but too much of the screenplay, written by Dano and Zoe Kazan, doesn't ring true.
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Vanity Fair
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October 19, 2018

It's a tale we've seen plenty of times before, told deliberately and tastefully, giving no glimmers of idiosyncrasy or, frankly, personality.
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New York Times
Resource

October 18, 2018

The whole of the film is a potent collaboration in every respect, and a remarkable directorial debut.
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Time Out
Resource

October 18, 2018

She's a woman out of time, and Ford's story, written 30 years ago, set 60 years ago, is strikingly resonant.
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Wall Street Journal
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October 19, 2018

Ms. Mulligan shows her character no mercy, at least on the surface; her performance is startling, and for the most part unsparing.
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NPR
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October 18, 2018

Wildlife is both stately and messy, in the way mid-century America so often seems to look through the rearview mirror.
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