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Where the Sidewalk Ends
Det. Sgt. Mark Dixon wants to be something his old man wasn't: a guy on the right side of the law. But Dixon's vicious nature will get the better of him.
8 July 1918, Liberty, Missouri, USA
March 24, 1885 in Boston, Massachusetts, USA
May 8, 1910 in Rockdale, Texas
March 16, 1913 in Los Angeles, California, USA
December 18, 1921 in Minneapolis, Minnesota, USA
14 March 1921, St. Louis, Missouri, USA
September 18, 1918 in Macon, Georgia, USA
25 July 1917, Floral Park, Long Island, New York, USA
September 19, 1899 in Kansas City, Missouri, USA
21 August 1908, Durango, Colorado, USA
28 June 1914, Great Falls, Montana, USA
11 October 1925, Tacoma, Washington, USA
22 June 1916, Minneapolis, Minnesota, USA
May 1, 1888 in Deer Lodge, Tennessee, USA
January 12, 1897 in Chicago, Illinois, USA
December 7, 1908 in Shields Township, Illinois, USA
31 July 1913, New York City, New York, USA
9 December 1903, Vallejo, California, USA
14 November 1928, Hollywood, California, USA
11 December 1910, New York City, New York, USA
9 December 1897, Falmouth, Kentucky, USA
January 18, 2007
...features several effective (and unexpected) plot twists.
March 26, 2005
A cool and atmospheric gangster film. It may not be particularly memorable, but it is fun to watch.
November 21, 2015
A beautiful system of obsessions and ambiguities
October 23, 2007
Hecht once again examines the fine line between cop and criminal with memorable results.
March 21, 2005
A fascinating brutish and dark film noir that is set in the corrupt milieu of the underworld.
March 25, 2006
Fox may not have plumbed the depths of realism this time, but it still looks interesting, even two-thirds of the way down.
December 21, 2005
An efficient, bleak noir with an Oedipal twist.
November 16, 2015
Strongly paced and gorgeously shot, the film showcases Hecht's writing at its best and is a perfect fit for Preminger.
January 26, 2006
A weatherbeaten Andrews gives one of his finest performances.
October 23, 2007
Otto Preminger, director, does an excellent job of pacing the story and of building sympathy for Andrews.
March 26, 2005
The last of Otto Preminger's studio pictures at Fox, this 1950 feature has many of the noirish qualities of his Laura and Fallen Angel: Dana Andrews, ambiguity about the characters' dark undertones, and a fluid, fascinating mise en scene.