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We Are The Night
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We Are The Night
CRITICS OF "We Are The Night"
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MovieFreak.com
Resource

June 03, 2011

I had so much fun watching this exercise in gory genre silliness I almost don't know where to begin.
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BrianOrndorf.com
Resource

June 03, 2011

Consumed with arranging a pretty picture than securing a ripe female-slanted take on seductive acts of evil and decadence. It's a fireworks display, not a meaty reinvention of a rusty genre.
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What Culture
Resource

August 28, 2012

It's stylishly constructed and a better feminist vampire yarn than Twilight, but still problematic in itself.
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Film Journal International
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May 27, 2011

...No genre-changer...but it's bloody, occasionally clever and wears its underlying message about the perils of power lightly...
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Dread Central
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August 10, 2011

It's ambitious, energetic and downright fun. Director Gansel and his female-led cast manage to breathe refreshing new life into what some feel is an overdone subgenre in horror these days
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Shockya.com
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May 29, 2011

This feels like a Luc Besson genre knock-off in the best sense of that phrase -- a spunky, stylish mash-up of vampire flick and police procedural, with just a dash of doomed romance. Demerits for the dubbing, though.
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Variety
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May 25, 2011

Stylishly reinvents juvenile pulp with flashy pyrotechnics.
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Slant Magazine
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June 03, 2011

We Are the Night's primary interest seems to be wish fulfillment, but it's hard to tell at times exactly whose fantasies these are supposed to be.
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FEARnet
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September 05, 2011

A slick, stylish (sometimes silly) vampire import. (Avoid the English dub version!)
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Village Voice
Resource

May 24, 2011

Gansel compensates for the story's lack of emotional heft with rousing chase scenes and impressive, near-poetic CGI set pieces, and works in a sly suggestion that vampirism is the ultimate expression of consumerist indulgence.
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New York Times

May 26, 2011

A love triangle with fangs but no bite, the German import "We Are the Night" is mostly infatuated with its own stylish excesses.
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Projected Figures
Resource

August 31, 2012

an odd - and therefore interesting - blend of genetic elitism, feminist emancipation and rave-culture hedonism, where oldworld bloodlines leave a trail imprinted in the postmodern age - all wrapped in a slickly stylish audiovisual package.
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