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We Are the Flesh
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We Are the Flesh

Description
Searching for a safe place to live in and food to live on, two young courageous siblings, who after the destruction of the world, wander the destroyed country, where they find the only remaining building, where they receive an offer that turns upside down their lives.
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DIRECTORS OF "We Are the Flesh"
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We Are the Flesh
CRITICS OF "We Are the Flesh"
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En Filme
Resource

April 03, 2017

Despite the dark, perverse and twisted approach, the film is a statement that celebrates freedom and struggles against social boundaries and conventions. [Full review in Spanish]
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Cinegarage
Resource

March 25, 2017

A downpour of shock, but pointless at the end, even if you want to make us believe otherwise with its swirl of colorfully retouched secretions. [Full review in Spanish]
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Los Angeles Times
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January 12, 2017

There's genuine artistry even to this film's most exploitative moments.
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eFilmCritic.com
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June 13, 2017

We Are the Flesh could inspire evenings of fervent disputation and interpretation, but first there needs to be an audience for it, and for this? I'm not so sure. There was once a time, though.
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Konexión
Resource

February 22, 2017

The great achievement of the film is that it manages to create enough interest to immerse itself more than once in this surreal world full of caricature characters, madness and disgust. [Full review in Spanish]
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Hollywood Reporter
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January 19, 2017

Viewers expecting a garden-variety horror flick will likely recoil, but those seeking new voices in Mexican cinema may well hail Minter's effort.
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Butaca Ancha
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March 27, 2017

Regardless of how complete or failed, it's an evidence of a creativity that strengthens the industry and gives us enough to talk about. [Full review in Spanish]
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Variety
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November 18, 2016

A brief synopsis... barely hints at the intensity with which the Mexican shocker We Are the Flesh unleashes its joyously demented portrait of humanity.
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New York Times
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January 19, 2017

Mr. Rocha Minter, who is in his 20s, has obvious filmmaking talent, but he is also, to judge by this evidence, a sensationalist dilettante with a mean streak.
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indieWire
Resource

January 20, 2017

For every moment of sick visceral genius (e.g. whenever Hernandez or Evoli are left to their own devices), there's another of clumsy metaphor (e.g. the limp punchline of the movie's final minutes).
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Village Voice
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January 18, 2017

Filmgoers who brave We Are the Flesh may regret seeing it. Forgetting it is another matter entirely.
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