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Vampire Clay [Sub: Eng]
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Vampire Clay [Sub: Eng]

Description
In a horror atmosphere, this movie follows Kaori, a student who returns to Aina after studying in Tokyo, to finish her prep classes for art school, where she becomes The Star of the class. But things begin to get strange, when she finds a bag of old, and mysterious clay that uses it for sculpturing, as the students' projects are destroyed and one of her classmates is disappeared. By the time, they find out that the clay is possessed by an artist who previouslly owned the building and died tragically in his workshop. Then, the school is attacked by a gang of murderous, and bloodthirsty cly vampires.
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Vampire Clay [Sub: Eng]
CRITICS OF "Vampire Clay [Sub: Eng]"
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Dread Central
Resource

January 24, 2018

Vampire Clay isn't perfect, not by any stretch of the imagination, but it is one of the most gleefully absurd and visually engaging films I've seen this year!
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Variety
Resource

September 21, 2017

Umezawa's feats of stop-motion are undermined by his incoherent staging and editing, which substitute manic energy for the nuts-and-bolts of building tension and clarifying action.
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Screen International
Resource

November 30, 2017

This schlocky Japanese horror about murderous, sentient modelling clay which creates havoc in a small provincial art school is so inept, you start to wonder if it's deliberately so.
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Den of Geek
Resource

April 20, 2018

Monster movies are always a bit tongue-in-cheek going all the way back to the days of the guy in a rubber suit. Their goal is to make you smile and cheer when something crazy happens. In that regard, Vampire Clay succeeds.
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AV Club
Resource

September 26, 2017

The film sports practical effects that reach Brian Yuzna-esque heights of giddy absurdity, including a Claymation sequence of a teenage girl being swallowed whole by a wormlike monster as she squirms and screams.
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SciFiNow
Resource

March 10, 2018

this film of eerie earthenware and earthworms-that-turn comes with enough individuality and... idiosyncrasy, to earn itself the sort of appreciation (and, no doubt from some, abhorrent rejection) that typically greets products of outsider art.
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