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Transformers: Age Of Extinction
Transformers: Age of Extinction is a 2014 American science fiction action film and this time Optimus prime and his team must seek help from a mechanic, meanwhile a bounty hunter is on the chase for the autobots.
27 February 1973, Harbin, China
4 November 1960, Qingdao, Shandong, China
10 October 1983, Jordan
15 December 1981, Reading, Berkshire, England, UK
22 December 1956, Vietnam
24 February 1972, Cuckfield, Sussex, England, UK
27 January 1988, Taipei, Taiwan
23 January 1992, Longmont, Colorado, USA
March 19, 2017
There's not much here to entice non-fans, and there's probably too much static to please the purists.
February 28, 2017
Mad, funny junk.
June 30, 2014
Inflated, interminable and incoherent ...
June 14, 2016
The elements of a Transformer movie: cool machinery, a long-legged jail-bait female of stunning visage, cornfields/sunsets; witty dialog: 'Dude, she's an evil jock-concubine.'
March 27, 2017
A lumbering film of grotesque size in which nothing of major interest happens.
July 14, 2016
On the one hand, Transformers: Age of Extinction is barely coherent, narratively disastrous, and oppressively long. On the other: Optimus Prime riding a dinosaur robot!
July 14, 2014
The few authentic inspirations to be found in the movie's hundred and sixty-five roiling minutes involve gigantic science-fiction contrivances.
March 09, 2017
In 1871, the Great Chicago Fire burned miles of the city, but it would be nearly destroyed by something much worse, 140 years later.
June 30, 2014
You're either awestruck, dumbstruck or just plain struck in the face.
July 06, 2014
It barely matters whether this movie is good or bad. Bay is now the sort of filmmaker -- the only one, perhaps -- whose moviemaking goes beyond such binary banality.
September 22, 2016
Since the film is a chilling two hours and 45 minutes long, that means one's mind quickly wanders, dancing across this film's many flaws, little and big.
July 06, 2014
In the end, though, this is still a movie about giant robots fighting each other, which is to say it's nearly impossible to take seriously on a narrative level.