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The Wolverine
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The Wolverine
CRITICS OF "The Wolverine"
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The Film Stage
Resource

July 01, 2016

Wonky closing chapter aside, there's enough in The Wolverine that I find myself preferring it to all of the comic book pictures we've seen so far this year.
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Deseret News, Salt Lake City
Resource

June 22, 2016

The Wolverine does hold great potential, but its best elements are underdeveloped.
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RogerEbert.com
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July 26, 2013

Director James Mangold's film features some breathtakingly suspenseful action sequences, exquisite production and costume design and colorful characters, some of whom register more powerfully than others.
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Cinemixtape
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April 17, 2016

This kind of clinical, halfhearted filmmaking is why superhero fatigue is as real as ever.
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Washington Free Beacon
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July 14, 2016

The Wolverine is at its best when it deals with Logan's internal struggles and helps return fans of the franchise to the modern day.
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Fort Worth Weekly
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June 22, 2016

Where's the coiled, fuming, cigar-chomping, sarcastic quip-firing killing machine from the first two X-Men movies? I want that guy back. He was fun.
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New Yorker
Resource

August 09, 2013

It's a relief to come across a blockbuster that finds a location and stays there, rather than hopping desperately from one place to the next ...
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Epoch Times
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June 24, 2016

Recite the following using Arnold's accent: 'Hugh is beeg! He has got striations, vascularity, and pectoral shelves!'
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Time Out
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July 26, 2013

Too quickly the random fights pile up -- so many yakuza thugs who forgot to wear chain mail that morning -- and you yearn for the film that might have been.
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Grantland
Resource

July 29, 2013

Getting [Wolverine] to the movie's above-average finale required three writers - Christopher McQuarrie, Mark Bomback, and Scott Frank - to pad the plot.
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San Diego Reader
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July 14, 2015

Japan seems valued more for its scenery and costumes than anything having to do with its character.
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Globe and Mail
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July 26, 2013

It restores the tarnished lustre to this most fan-beloved of Marvel characters by doing precisely what Chris Claremont and Frank Miller's near-sacred 1982 run did: It pumps some feeling into the guy along with his muscles and steel talons.
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