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The Way Back
It is those political events that changed the fate of communist Russia. It's the story of three men running for Communist Russia, where there could be challenges to come, and there might be others who run away with them in the same way.
16 May 1978, London, England, UK
12 August 1980, Bulgaria
23 March 1949, Sofia, Bulgaria
7 April 1956, Ruse, Bulgaria
12 April 1994, The Bronx, New York City, New York, USA
20 April 1946, Tokyo, Japan
12 November 1980, Stockholm, Stockholms län, Sweden
31 May 1976, Castleknock, Dublin, Ireland
20 June 1943, Burgas, Bulgaria
28 May 1985, Berlin, Germany
18 March 1954, Popovitza, Plovdiv, Bulgaria
May 03, 2015
A gorgeously mounted epic that for all its virtues feels maddeningly remote.
June 30, 2013
Like its characters, this drama plods along but its compelling plot makes it worth seeing.
January 31, 2011
This is an impressive production and technical feat, but through most of it, I kept thinking about how difficult the filming conditions must have been, and not about the lives of the men in front of me.
February 16, 2013
a solid, resonant meditation on survival, on hope, on the value of life in the face of implacable hostility, portrayed memorably by an excellent cast and [Director] Weir's vast, brutal, awe-inspiring landscapes
August 21, 2016
[Peter] Weir is marvelously attuned to the natural world but keeps the focus on the human story while acknowledging the power of the natural world, not hostile so much as inhospitable...
June 22, 2013
"The Way Back" is a boring movie. Repetitive, protracted and wearisome. Mostly, though: It's just long.
February 18, 2011
Weir has always loved atmospheric locales and group dynamics, and here he makes the most of both
July 24, 2013
The Way Back is an inspiring story that is beautifully photographed and full of interesting and well acted characters.
January 31, 2011
he long stretches between stations make The Way Back an arduous road.
February 03, 2011
Eventually the film itself is something of an endurance test, and not as rewarding as it hopes to be. But it's a worthy venture, earnest and well-produced and occasionally gripping.
April 12, 2016
The man-versus-the-natural world story is in Weir's wheelhouse, and Harris and Farrell get into a scene-stealing duel. Worth the trek.
January 31, 2011
The abiding sensation, at the end, is one not of fulfillment but of exhaustion.

