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The War of the Roses
After 17 years of marriage, Barbara and Oliver Rose want out. They try everything to get each other to leave the house and material possessions become the center of the outrageous and bitter divorce battle.
20 January 1928, Kentville, Nova Scotia, Canada
25 August 1947, Illinois, USA
15 September 1945, Quincy, Illinois, USA
17 February 1927, Birmingham, Michigan, USA
19 October 1972, Los Angeles, California, USA
13 July 1954, Chicago, Illinois, USA
29 April 1951, Normal, Illinois, USA
25 February 1971, Santa Monica, California, USA
5 December 1921, Oakland, California, USA
4 November 1919, Toledo, Ohio, USA
20 August 1921, Manchester, New Hampshire, USA
16 March 1962, Hollywood, California, USA
17 October 1934, Los Angeles, California, USA
2 June 1955, Philadelphia, Pennsylvania, USA
February 11, 2008
Wildly funny and deeply disturbing.
May 26, 2006
The film just keeps getting darker and more claustrophobic, like sliding down the center of a spiral.
May 12, 2001
DeVito triumphs by instilling this caustic satire with truth and consequence.
July 30, 2003
DeVito exerts a control behind the camera that is otherwise almost nonexistent in contemporary American film comedy.
September 28, 2012
Greatly amusing, but its lasting achievement is DeVito's atmospheric authority, shaping a genuine filmmaking triumph in style and mood that deserves a standing ovation.
July 21, 2004
Pretty good -- nice-looking -- black comedy with less copouts than usual.
February 11, 2008
Trying to wring yocks from a deranged couple locked in mortal combat over possession of their house is more suited to film noir than black comedy.
February 11, 2008
One of the most durable -- and characteristic -- comedies of the 1980s.
January 01, 2000
[A] deliciously jaundiced perspective on matrimony.
January 26, 2006
De Vito's quirky camera angles and Kathleen Turner's steely-eyed spite inject a sadistic comic-strip madness into a film that for once has the nerve to see its nastiness through.
February 11, 2008
DeVito's taste for unorthodox camera angles and striking camera movements occasionally verges on overreaching but for the most part admirably serves the action.
May 20, 2003
DeVito's direction is distinctively odd (with a lot of low-angle shots looking up at things), enjoyably mischievous and always somehow mindful that there may be, at the heart of all this comic mayhem, something substantial going on.