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The Tin Drum (Die Blechtromme)
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DIRECTORS OF "The Tin Drum (Die Blechtromme)"
The Tin Drum (Die Blechtromme)
CRITICS OF "The Tin Drum (Die Blechtromme)"
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ColeSmithey.com
Resource

April 15, 2009

Context is everything. Although often mistaken as a black comedy, Volker Schlöndorff's bold adaptation of Günter Grass's abstractly autobiographical 1959 novel is an exemplary model of European magic realist cinema.
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Mountain Xpress (Asheville, NC)
Resource

October 04, 2006

Technically and stylistically, The Tin Drum is an astounding work. Thematically, it strives for an importance it only sometimes achieves
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Slant Magazine
Resource

September 18, 2012

In Volker Schlöndorff's restored version of his 1979 classic, Oskar Matzerath emerges as a tragic anti-hero, whose lustful imagination and prodigious magical gifts can't shield him from the juggernaut of war.
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Filmcritic.com

May 09, 2004

Oskar's story touches on so many facets of life it's hard to know where to start analyzing.
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ReelTalk Movie Reviews
Resource

November 08, 2010

This movie rests on the small shoulders of David Bennent as 'three-year-old' Oskar Matzerath, and the undersized twelve-year-old comes up wonderful.
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Q Network Film Desk
Resource

August 03, 2004

the film is more memorable for its quirky commingling of the epic and the intimate and its often startling visuals than for any of its big themes
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Vue Weekly (Edmonton, Canada)
Resource

July 11, 2013

Walks a taut, high rope between doubles and split selves, docu-realism and surrealism, brutality and naïveté, sacred and profane, and history and myth, without falling into the safety net of childish fantasy. (It only falters in its final half-hour.)
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Video-Reviewmaster.com

March 22, 2008

Fascinating allegory with war, death themes and little boy who won't grow up.
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Ozus' World Movie Reviews
Resource

January 30, 2011

The literal adaptation doesn't transfer that well to film.
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PopMatters
Resource

January 23, 2013

If ever [the characters in] a film embodied Hannah Arendt's principle of "the banality of evil", it's The Tin Drum...
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Time Out
Resource

September 18, 2012

Schlöndorff has a tendency to sketch the rest of the cast as simple grotesques or symbols of decadence that are unconvincingly humanized in the final third.
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Scene-Stealers.com
Resource

January 16, 2013

There are many themes running through The Tin Drum: resistance against an unkind world, the need for acceptance, the horrors of romance and war, and the final idea that growth is inevitable and unfortunately, necessary.
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