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The Robe
Marcellus Gallio is a madarin who always indulges in gambling. After taking a Gie-su’s coat after he is hammered. He is tortured by this thing. He hopes to find a way to live with what he can do. Anh his life changes forever.
18 June 1917, Los Angeles, California, USA
July 23, 1924 in Roseville, Michigan, USA
January 15, 1909 in Texas, USA
18 May 1903, Lódz, Poland, Russian Empire [now Lódz, Lódzkie, Poland]
November 23, 1898 in Sherman, Texas, USA
21 January 1921, Brockton, Massachusetts, USA
4 June 1914, Salt Lake City, Utah, USA
16 November 1886, Chicago, Illinois, USA
13 January 1907, New York City, New York, USA
August 1, 1897 in Georgia, USA
26 September 1916, San Bernardino, California, USA
June 28, 1886
November 9, 1916 in Boston, Massachusetts, USA
14 April 1930, New York City, New York, USA
November 28, 1888 in Ohio, USA
January 19, 1914 in Lincoln County, Oklahoma, USA
24 November 1899, Vienna, Austria-Hungary [now Austria]
12 October 1902, London, England, UK
23 October 1910, Brooklyn, New York, USA
March 30, 1892 in San Jose, Costa Rica
21 September 1930, Felixstowe, Suffolk, England, UK
July 19, 2010
Important historically as the first CinemaScope feature film.
March 23, 2009
hackneyed Golden Age hokum
July 05, 2014
It's hard to actively hate anything as deeply earnest as The Robe, but it is a long, tough sit.
January 11, 2008
Stick with The Ten Commandments, or try watching Fellini Satyricon instead.
January 30, 2012
Everything, including performances, is turned up to eleven, and what it lacks in finesse it more than makes up for in sheer spectacle.
March 20, 2009
Had it not been the first film shot in CinemaScope, very few people would probably still be talking about The Robe.
January 11, 2008
Pious claptrap.
April 02, 2009
Insufferably wooden.
January 30, 2012
Overblown melodramatic biblical nonsense.
March 25, 2006
Tthe mightiness of masses and the forms of heroes have never loomed so large as they do in this studied demonstration, projected by CinemaScope. But an unwavering force of personal drama is missed in the size and the length of the show.
January 11, 2008
The performances are consistently good.
February 09, 2006
Turgid direction, probably not helped by a necessarily cautious approach to framing, is married to creaky dialogue and stiff performances to render this of purely historical interest.