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The Possession of Hannah Grace
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The Possession of Hannah Grace

Description
A shocking exorcism spirals out of control, claiming the life of a young woman. Months later, Megan Reed (Shay Mitchell) is working the graveyard shift in the morgue when she takes delivery of a disfigured cadaver. Locked alone inside the basement corridors, Megan begins to experience horrifying visions and starts to suspect that the body may be possessed by a ruthless demonic force.
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The Possession of Hannah Grace
CRITICS OF "The Possession of Hannah Grace"
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Entertainment Voice
Resource

December 03, 2018

This is also the kind of horror film where you scratch your head often, questioning some of its supernatural logic.
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The Gate
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December 03, 2018

There's no care that went into making anything other than the lighting rigs for The Possession of Hannah Grace, and you shouldn't care about it, either.
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Variety
Resource

November 29, 2018

She's possessed, although she's lifeless. Sort of like the movie.
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One Guy's Opinion
Resource

December 02, 2018

Gets about as much mileage out of its thin premise as could be expected, and exhibits some cool visuals along the way; but that's not quite enough.
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Daily Dead
Resource

December 03, 2018

As a whole, The Possession of Hannah Grace is probably a solid spookfest for casual genre fans, but I don't think it offers up much for those of us who call horror our way of life.
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The List
Resource

December 03, 2018

Crunching bones and tearing flesh are effectively rendered, yet expectations of cheap thrills drain away as the scares fail to materialise.
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AV Club
Resource

November 30, 2018

Most of the movie's creepy overtures are bluntly obvious-menacing thumps, rather than barely perceptible twitches.
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Common Sense Media
Resource

December 03, 2018

This demon-possession horror movie has enough good moments that it's a shame the filmmakers didn't try harder; for every effectively moody scene, there's another that's lazy, twitchy, or shopworn.
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New York Times
Resource

November 29, 2018

Van Rooijen's overreliance on herky-jerky jump scares is a pity, because the movie that exists in the silence is surprisingly satisfying.
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TheWrap
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November 29, 2018

A dreary horror thriller, without any of those pesky thrills.
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RogerEbert.com
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November 30, 2018

Hannah Graceis barely 85 minutes, with an ending so abrupt that you'll wonder whether you've missed something. (Spoiler alert: you haven't.)
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Hollywood Reporter
Resource

November 29, 2018

Hannah Grace never overcomes the compendium of clichés in Brian Sieve's screenplay, which resembles a greatest hits of demonic possession films.
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