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The Player
CRITICS OF "The Player"
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National Review
Resource

November 04, 2016

The Player, which Altman made after years of struggle, with all Hollywood fascination worn away, is Altman's dour version of Dante's Inferno. His satire forces us to realize the obscenity of Clinton-era corruption - once again.
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Q Network Film Desk
Resource

June 08, 2016

Altman knew Hollywood, but The Player casts a much wider net by allowing the movie industry to stand in for the shark-eat-shark nature of modern business in general
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Rolling Stone

June 06, 2001

[Altman] sticks it to every target, himself and us included, with a wicked zest that hurts only when you laugh.
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CraveOnline
Resource

June 03, 2016

Altman was making a sour, salient, cynical, and passionate point about how artistry and edge had been drained from Hollywood. By 1992, the suits were in charge.
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Common Sense Media
Resource

November 22, 2016

Noir masterpiece has nudity, lots of strong language.
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Creative Loafing
Resource

June 05, 2016

One of the great motion pictures of the 1990s.
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Variety
Resource

April 28, 2008

Mercilessly satiric yet good-natured, this enormously entertaining slam dunk quite possibly is the most resonant Hollywood saga since the days of Sunset Blvd. and The Bad and the Beautiful.
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Madison Movie
Resource

June 10, 2016

In "The Player," Altman creates a scathing satire of Hollywood - and then lets his satire itself gets seduced by Hollywood schmaltz. Because what better way to show how seductive it is?
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Washington Post
Resource

January 01, 2000

The Player is a rare commodity. It's brilliant and a guilty pleasure.
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Chicago Sun-Times
Resource

October 23, 2004

A movie about today's Hollywood -- hilarious and heartless in about equal measure, and often at the same time.
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Chicago Reader
Resource

April 28, 2008

[It's] supposed to be scathing, but the pleasure it affords is like what you get from watching the Oscars: celebrity spotting and in-jokes.
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New York Times

May 20, 2003

Mr. Altman's most subversive message here is not that it's possible to get away with murder in Hollywood, but that the most grievous sin, in Hollywood terms anyway, is to make a film that flops.
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