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The Neon Demon
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The Neon Demon

Description
The life of a young beautiful and attractive girl named Jesse, a 16 year talented model, who moves into Los Angeles, where she wishes that she will achieve a great success and begins a new life, but incidents come to climax, as she faces the jealous and evil models, who do their best to harm her.
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The Neon Demon
CRITICS OF "The Neon Demon"
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SFist
Resource

March 23, 2017

The Neon Demon may not have great dialogue, or a realistic story, or any character you can actually root for. But it's pretty. And I can watch pretty.
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ScreenCrush
Resource

March 16, 2017

The Neon Demon is as deceptive as shattered glass, with a brilliant beauty so mesmerizing that you don't notice its murderously sharp edges until you're bleeding all over the floor.
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Detroit News
Resource

June 24, 2016

There's no denying the beauty of Refn's images, even if his puerile instincts are at odds with his obvious pretensions. Those who cry it's shallow and ugly won't be wrong; others will love it for those very reasons.
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Cinema Crazed
Resource

January 20, 2017

Grotesque, beautiful, and incredibly compelling.
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The Spectator
Resource

March 28, 2017

The Neon Demon provides plenty of eye candy, but not much food for thought. As a send-up of the vapid fashion industry, it's got nothing on Zoolander.
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El Universal
Resource

February 21, 2017

A thrilling, more delirious and ethereal story than an abnormal narrative, from a plot-pretext and juicy cinephilic references to the work of great directors of the first wave of french cinema. [Full review in Spanish]
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Tribune News Service
Resource

June 24, 2016

Archly silly, quotable, visually hypnotic and perfectly suited for repeat viewings. On first watch, the film is bizarre, hallucinatory, shockingly gruesome. A second watch unlocks the dumb-clever charms of Refn's script
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Reel Talk Online
Resource

March 21, 2017

The photograph is stunning. But the story is a hot mess.
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Philadelphia Inquirer
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June 24, 2016

A bold visionary artist, Refn seems able to revel in the culture of instant gratification while also subjecting it to critique.
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Toronto Star
Resource

June 24, 2016

Refn is hardly the first moviemaker to find a link between supermodels and scary monsters, but he may be the most style-minded one to make the connection. Imagine an issue of Vogue with Maleficent as guest editor.
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ReelViews
Resource

June 26, 2016

Pretentious and self-indulgent, it seems tailor-made to appeal to lovers of the obtuse and inscrutable until it takes a left-turn into schlocky, gore-drenched splatter imagery.
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Globe and Mail
Resource

June 24, 2016

Things go downhill rapidly as the movie descends into horror material that is laughably grotesque yet so visually cool it remains fatally unfunny.
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