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The Motel Life
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DIRECTORS OF "The Motel Life"
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The Motel Life
CRITICS OF "The Motel Life"
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Movie Mezzanine
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April 16, 2014

Watching The Motel Life, I felt that I was in the hands of someone capable of making a great film.
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London Evening Standard
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April 04, 2014

The whole thing is deep-down conservative and wetter than a Labrador's kiss.
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San Francisco Chronicle
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November 08, 2013

As good as "The Motel Life" is for the actors, that's how bad it is for the viewer.
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Guardian
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April 03, 2014

The film is heavy-going, unformed and self-indulgent, with characters who are neither sympathetic nor (crucially) interesting.
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TheFilmFile.com
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May 30, 2014

A pedestrian, undeveloped indie clunker, its failure as a complete, satisfying story especially disappointing since the sibling relationship at its center could have been special with a better script.
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Independent (UK)
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April 04, 2014

The rambling plot may resemble a lyric from a mawkish country song but the film-makers bring an engaging mix of tenderness and grit to the downbeat material.
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Los Angeles Times
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November 13, 2013

Alan Polsky and Gabriel Polsky propel the material in a way that can feel over-determined. But they grasp the eccentricities and desperation of fringe dwellers, and at its strongest their atmospheric film has the pull of a sad outlaw song.
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HeyUGuys
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April 10, 2014

There's definitely a niche audience out there that will love The Motel Life; and this is a film that deserves to be loved.
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Arizona Republic
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November 08, 2013

It's occasionally pretentious but ultimately moving, at least for the miniscule audience that will turn out to see such a downer of a movie.
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Chicago Sun-Times
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November 08, 2013

We have seen many films about losers on the run, but in the directorial debut of former Chicago siblings Alan and Gabe Polsky, we get an intriguing new take on brotherly love not only gone wrong, but clearly hopeless from the beginning.
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Hollywood Reporter
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November 15, 2013

Sensitive lensing and acting render an unusual story of brotherly love touching in a promising first film.
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Chicago Reader
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November 08, 2013

This independent drama effectively captures the spirit of much contemporary fiction: the tone is at once precious and stark, and the narrative drifts from one episode to another (and from realism to fantasy) as though it were playing out in a dream.
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