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The Lost Weekend
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The Lost Weekend
CRITICS OF "The Lost Weekend"
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Radio Times
Resource

January 13, 2014

Despite the grim subject matter, there are glimpses of Wilder's characteristic mordant wit, and the director's location work in New York's Third Avenue district is exemplary. Casting the hitherto bland Milland was a stroke of genius.
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Observer (UK)
Resource

February 19, 2013

Although ultimately less bleak than Charles Jackson's autobiographical novel, the film is uncompromising in its depiction of the lies, self-deception and degradation that alcoholism leads to.
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Time Out

February 09, 2006

What makes the film so gripping is the brilliance with which Wilder uses John F Seitz's camerawork to range from an unvarnished portrait of New York brutally stripped of all glamour.
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The Nation
Resource

September 14, 2012

While you watch it, it entirely holds you.
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CinePassion
Resource

March 13, 2016

Dry alkies and wet teetotalers perpetually out of balance, startlingly laid out by Wilder as a lonely metropolis' quivering nervous system
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Total Film
Resource

February 19, 2013

Taken as a treatise on addiction generally, it's remarkably sensitive and thoughtful.
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TIME Magazine
Resource

February 17, 2009

Director Billy Wilder's technique of photographing Third Avenue in the grey morning sunlight with a concealed camera to keep the crowds from being self-conscious gives this sequence the shock of reality.
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The Age (Australia)
Resource

February 19, 2013

One of cinema's earliest and best portraits of drug addiction.
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New York Times

May 20, 2003

A shatteringly realistic and morbidly fascinating film.
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Variety
Resource

February 20, 2008

It is intense, morbid -- and thrilling. Here is an intelligent dissection of one of society's most rampant evils.
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New York Daily News
Resource

February 23, 2012

Under Wilder's imaginative direction, Milland has been able to convey just what an uncontrollable craving for liquor does to a man's mind, his body and soul.
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Chicago Reader
Resource

December 12, 2006

Today it's less impressive but not without its virtues.
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