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The Lady from Shanghai
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DIRECTORS OF "The Lady from Shanghai"
The Lady from Shanghai
CRITICS OF "The Lady from Shanghai"
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Independent (UK)
Resource

July 24, 2014

The film is as tangled and ingenious as any of Welles's conjuring tricks. The shoot-out in the hall of mirrors is the most famous sequence, but there are other moments just as memorable.
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Empire Magazine
Resource

July 24, 2014

The plot's pleasingly convoluted, the performances amusingly varied, the mood sinisterly sustained. But the set-pieces are the work of a genius.
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New Yorker
Resource

January 27, 2014

Welles and Hayworth were married at the time; he gives her closeups of unmatched rapture even while allegorizing his own fate as a free spirit caught in the trap of Hollywood's delusional pleasure dome.
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Financial Times
Resource

July 24, 2014

The hall-of-mirrors shootout finale is a canonic classic.
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Electric Sheep
Resource

July 25, 2014

The storyline is almost incidental to the disorientating inventiveness of The Lady from Shanghai.
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Little White Lies
Resource

July 24, 2014

Time proves this to be insanely ambitious and batty in the best sense.
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Boston Globe
Resource

February 20, 2014

The climax, a shootout in a funhouse hall of mirrors, is one of the bravura sequences in all film, a triumph of hey-look-at-me form over just-the-facts content.
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Guardian
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July 24, 2014

It has an irresistible energy.
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Variety
Resource

February 11, 2009

Script is wordy and full of holes which need the plug of taut story telling and more forthright action.
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Time Out
Resource

January 28, 2014

Be warned: This is a film that collects obsessives.
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Time Out
Resource

July 23, 2014

A magnificent mess of switchbacks and revelations, climaxing with one of cinema's most outrageously inventive sequences.
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Village Voice
Resource

January 28, 2014

For all the violations it suffered, The Lady From Shanghai seems strangely coherent in its extant form -- or rather, coherently incoherent, and in a way that seems quite deliberate.
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