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The King of Comedy
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The King of Comedy

Description
The film speaks of a person named Robert Bobkin who is a comedian who seeks a goal and reaches his goal but faces consequences that have to succeed but in an indirect way Robert confessed to the studio audience that he had kidnapped Jerry Langford to storm the business fair, Langford Comedy and a talk show host.
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The King of Comedy
CRITICS OF "The King of Comedy"
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Flavorwire
Resource

June 24, 2016

The tone it establishes is challenging, because there are funny scenes and situations which could easily be played for laughs, but that black cloud of tension and danger hangs over all of them, and Scorsese won't give you that release.
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Daily Telegraph (UK)
Resource

April 18, 2014

A disturbing picture of a world in which television is taken for a "reality" higher than everyday life, it's also darkly funny.
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Chicago Reader
Resource

March 31, 2008

The uncenteredness of the film is irritating, though it's irritating in an ambitious, risk-taking way.
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Common Sense Media
Resource

March 21, 2017

Scorsese movie about the perils of fame has mature themes.
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Movie Metropolis
Resource

April 09, 2014

I'm going to side with the dissenters this time. I can see where it might be perceived as a dark comedy, but that label doesn't absolve it from an overarching sense that Scorsese didn't push this one far enough.
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Village Voice
Resource

June 21, 2016

Brilliantly keeps viewers unmoored, the result of its consistently off-kilter tone.
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Reel Film Reviews
Resource

October 19, 2014

...remains a high-water mark in terms of De Niro's onscreen work...
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Variety
Resource

March 31, 2008

To be sure, Robert De Niro turns in another virtuoso performance for Martin Scorsese, just as in their four previous efforts. But once again -- and even more so -- they come up with a character that it's hard to spend time with.
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Washington Post
Resource

December 18, 2015

The King of Comedy fancies itself a scathing social satire about the lust for celebrity carried to extremes. But ultimately, director Martin Scorsese's movie is a severely misconceived and distasteful study of delusional behavior.
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New Yorker
Resource

June 27, 2016

Scorsese infuses this tale with the passionate energy of New York street life and an outsider's wonder at the powerful workings of show business and studio craft.
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Chicago Sun-Times
Resource

January 25, 2010

It is frustrating to watch, unpleasant to remember, and, in its own way, quite effective.
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