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The King (2017)
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CREATORS OF "The King (2017)"
The King (2017)
CRITICS OF "The King (2017)"
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The Film Yap
Resource

October 10, 2018

A compelling portrait of Elvis Presley that contemplates what he meant to America and its ever-evolving dream.
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Irish Times
Resource

September 05, 2018

It's all rather random, but never dull.
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Wall Street Journal
Resource

June 28, 2018

With an insistence that borders almost comically on obsession, [director Eugene Jarecki] forces the singer's life into a larger theory of national decline-the American dream is dead, and Elvis is the emblem of its passing.
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The Arts Desk
Resource

August 27, 2018

The King is a visual essay - it proposes a thesis, then builds a convincing argument, bouncing between Presley's life and the state of the nation.
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Awards Circuit
Resource

October 11, 2018

Elvis is clearly used as a metaphor by Jarecki. Undeniably progressive in his approach and his politics, the filmmaker still crafts a compelling portrait that reaches beyond simply ideology.
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Hot Press
Resource

September 05, 2018

Jarecki's road-trip never reaches answers or a destination, but it's a curiously diverting ride.
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Globe and Mail
Resource

July 13, 2018

Provocative and at times unwieldy, The King is something of a stoned CNN Special Report on wheels.
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The Victoria Advocate
Resource

October 09, 2018

Elvis Presley's 1963 Rolls-Royce serves as a metaphor for what 's wrong with this country in two-time Sundance Grand Jury winner Eugene Jarecki's new documentary.
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New Yorker
Resource

June 26, 2018

...the movie does so in painfully simplistic terms, with encyclopedia-style snippets of history, authentically pained but insubstantial musings on "how we got here," and an odd reliance on the comments of celebrities who lack any Presley connection...
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Toronto Star
Resource

July 12, 2018

Filmmaker Eugene Jarecki does something rather unusual with The King, which becomes something extraordinary and insightful.
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San Diego Reader
Resource

July 27, 2018

The insistence may inspire a furrowed brow here, a rolled eye there, and a shaken fist or knowing nod over yonder, but there's enough earnest comment and good music to make the effort worth seeing and chewing over.
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Boston Globe
Resource

July 12, 2018

At its best, "The King" is a fever dream of American glory and American weirdness - between which there can be an even thinner line than the one separating love from hate.
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