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The Housemaid (Hanyo) [Sub: Eng]
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DIRECTORS OF "The Housemaid (Hanyo) [Sub: Eng]"
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CREATORS OF "The Housemaid (Hanyo) [Sub: Eng]"
The Housemaid (Hanyo) [Sub: Eng]
CRITICS OF "The Housemaid (Hanyo) [Sub: Eng]"
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Film Threat

October 25, 2011

Quick to show its characters' skin but less inclined to explore what lies beneath it.
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Arkansas Democrat-Gazette
Resource

May 15, 2011

...an echo of the 1960 film perhaps, but it's an echo that has been compressed and processed, run through the stomp box that is director Im Sang-soo's imagination.
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Detroit News
Resource

February 25, 2011

Writer-director Im Sang-Soo injects a certain sense of otherworldliness in the proceedings -- the final scene is straight from David Lynchland --- which may not make things mesmerizing, but does deliver a consistently odd angle.
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Quickflix
Resource

April 11, 2011

Im Sang-soo's The Housemaid either doesn't know what it wants to be, or is trying to be too many things at once. Few films can claim to be over-ambitious and half-hearted at the same time, but there you go.
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Tiny Mix Tapes
Resource

October 04, 2017

While it effectively sticks the knife into upper-class mores, it certainly has a been-there, done-that feel to it that the former does not.
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Lessons of Darkness
Resource

April 17, 2011

Exudes a surreal sense of deranged domestic privilege.
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Chicago Reader
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December 13, 2011

The situation continues to fester, the balance of power shifts back and forth among some wonderfully defined characters.
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Digital Spy
Resource

July 14, 2011

With the honourable exception of a film-saving Byung-sik, the characters are too unpleasant and two-dimensional to keep it together.
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Minneapolis Star Tribune
Resource

February 17, 2011

"The Housemaid" scores on so many levels it's hard to know where to begin.
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Miami Herald
Resource

March 18, 2011

The graphic sex scenes radiate an uncommon heat, and Im can pull off a hugely effective shock when he wants to.
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New York Daily News
Resource

April 12, 2016

Im Sang-soo can't improve on Kim Ki-young's 1960 original, a jaIm Sang-soo can't improve on Kim Ki-young's 1960 original, a jarring and operatic cult favorite. Still, he does tweak the themes in intriguing fashion.
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St. Louis Post-Dispatch
Resource

March 04, 2011

The movie kowtows to the old truism that the rich are different - but it does it with a sardonic smile.
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