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The Girl on the Train
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DIRECTORS OF "The Girl on the Train"
The Girl on the Train
CRITICS OF "The Girl on the Train"
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Malibu Times
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March 09, 2017

While it's not a great movie, I found it absorbing for the most part, an intriguing use of the unreliable narrator (which has been over-used in the past few years), gorgeous photography and a fine script by Erin Cressida Wilson.
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ComingSoon.net
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February 16, 2017

If you loved Gone Girl, you'll think The Girl on the Train is... okay.
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The New Republic
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October 07, 2016

The Girl on the Train plods along, playing like a lifeless wax museum version of a real thriller.
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Spokesman-Review (Washington)
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March 15, 2017

Playing the troubled Rachel, whose trek toward the truth is agonizingly slow, could not have been easy. It certainly doesn't make [Blunt] look glamorous. But it does show what it takes to become an A-level movie star.
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Laramie Movie Scope
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January 19, 2017

Women finally wise up and take control at the very end of the story, and that is supposed to make up for all the voyeurism and passivity that goes before. I resent having to suffer through all that nonsense for such a brief payoff at the end.
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Salon.com
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October 08, 2016

If it came across your desk, you would probably give it a C-, along with feedback on how to improve on the next assignment.
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Film Inquiry
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February 22, 2017

Where The Girl on the Train distinguishes itself, though, is in its forthright presentation. With unbearably over-the-top performances and direction, in addition to an unfocused purpose underlying the story itself, it is an almost unwatchable mess.
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SFist
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March 23, 2017

A formidable thriller, and more impressively, an adaptation that actually improves on the blockbuster book it was based on.
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CNN.com
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October 07, 2016

The flashback structure isn't wholly satisfying, and the climax leaves an abundance of questions, so much so that the movie might have benefited either from taking the time to further flesh those revelations out or stripping them down.
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BuzzFeed News
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October 10, 2016

The Girl on the Train is not weirdly great, or even good, though it doesn't really aim to be, positioning itself unabashedly as a knock-off Gone Girl.
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The Atlantic
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October 07, 2016

Tate Taylor's new adaptation of The Girl on the Train takes the worst parts of the novel (excruciating dialogue, paper-thin plotting, ludicrous twists) and amplifies them.
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