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The Departed
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The Departed
CRITICS OF "The Departed"
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Fort Worth Weekly
Resource

February 23, 2016

The legendary director successfully converts a tight little thriller into a grand opera, and it's the best work he's done in the last 10 years.
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Observer (UK)
Resource

January 25, 2015

The dialogue crackles wittily and obscenely, and the set-pieces are superbly staged.
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Time Out
Resource

February 03, 2007

You'll have to go back to GoodFellas to find a Marty movie this fun, this enamored of language, of ethnic slurs, of "Gimme Shelter," of explosive violence. Scorsese's return to form is the year's most dynamic film. Really, how could it not be?
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London Evening Standard
Resource

January 25, 2015

As in his remake of Cape Fear, Scorsese has mucked up a B-movie he professes to love: producing something full of twists but devoid of that lovely, fluttery, rare thing: surprise.
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Metro
Resource

March 16, 2017

The definitive Boston Irish mob movie of our era was made by an Italian from Queens.
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Independent (UK)

January 25, 2015

This has its moments - what Scorsese film does not? -- but over a two-and-a-half-hour stretch it huffs and puffs and still doesn't blow the house down.
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NPR
Resource

January 25, 2015

This crime thriller is a profane, blood-drenched joy to watch.
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Daily Telegraph (UK)
Resource

January 25, 2015

The Departed is an example of a cinematic master seeking to live up to the veneration with which he is regarded by his pupils.
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New York Magazine/Vulture

January 06, 2007

The Departed has enough tension to keep you engrossed, and enough color for ten crime pictures. Scorsese obviously adores his expensive, expansive ensemble.
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TIME Magazine
Resource

February 24, 2013

[A] very entertaining, densely layered, just-short-of-fabulous melodrama.
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The Atlantic
Resource

January 25, 2015

Not only is The Departed not among the best of Scorsese's films; it's not even the best version of this film.
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Chicago Sun-Times
Resource

July 06, 2007

What makes this a Scorsese film, and not merely a retread, is the director's use of actors, locations and energy, and its buried theme. I am fond of saying that a movie is not about what it's about; it's about how it's about it.
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