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The Count Of Monte Cristo
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The Count Of Monte Cristo

Description
Edmond Dantés, who is a poor sailor, goes in an exciting adventure with his friend, Fernand Mondego. Edmond always has a dream to marry the pretty girl he loves, Mercedès. But he doesn't know that Fernand wants her too. Fernand cooperates with someone to kill Edmond in an attempt to get his girl. After years, Edmond returns with some sailors with whom he has managed to find a valuable treasure that turns him to a rich man. He wants to take revenge.
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DIRECTORS OF "The Count Of Monte Cristo"
The Count Of Monte Cristo
CRITICS OF "The Count Of Monte Cristo"
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Cinema Crazed
Resource

April 29, 2009

This is visually stunning and a masterpiece.
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Star-Democrat (Easton, MD)
Resource

January 07, 2004

Strong supporting performances, from Harris in particular, help make up for the uneven performances of the two leads ...
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Entertainment Weekly
Resource

January 30, 2002

There's a thin line between likably old-fashioned and fuddy-duddy, and The Count of Monte Cristo ... never quite settles on either side.
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RTÉ (Ireland)
Resource

April 29, 2003

While many would rightfully question why there is need for another take on Alexander Dumas' treasure, Reynolds has made a decent job of it.
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Common Sense Media

December 28, 2010

A thoroughly enjoyable movie for older kids.
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Window to the Movies
Resource

June 08, 2003

You know you're in for a good ol' popcorn-munching time when the movie's tagline is a bad pun on the title of a piece of fine literature.
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Chicago Tribune

July 20, 2002

A big, vacuous, sometimes exciting glamour-puss of a movie.
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Looking Closer
Resource

December 06, 2004

Where Gladiator failed to give an adequate sense of how its hero grew and what he learned during his trials. ... Monte Cristo, on the other hand, takes its time.
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Variety

January 25, 2002

A rousingly old-fashioned swashbuckler with an abundance of vigorous action and nary a trace of wink-wink irony.
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Globe and Mail
Resource

March 19, 2002

All in all, it's a pretty good execution of a story that's a lot richer than the ones Hollywood action screenwriters usually come up with on their own.
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Time Out
Resource

June 24, 2006

A preposterous, expansive and self-conscious attempt to resurrect the historical spectacular.
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Washington Post

February 03, 2002

Old-form moviemaking at its best.
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