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The Commuter
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The Commuter

Description
In this action-packed thriller, Liam Neeson is Michael, an insurance salesman, whose daily commute home quickly becomes anything but routine. After being confronted by a mysterious stranger (Vera Farmiga), Michael is blackmailed into finding the identity of a passenger on his train before the last stop. As he works against the clock to solve the puzzle, Michael is unwittingly caught up in a criminal conspiracy that carries life and death stakes for himself and his fellow passengers.
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CREATORS OF "The Commuter"
The Commuter
CRITICS OF "The Commuter"
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The Young Folks
Resource

January 17, 2018

It might be a flashy piece of entertainment, but it's not a stupid one.
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Pittsburgh City Paper
Resource

January 17, 2018

The first half of the film is better than the second - it sets up a recognizable character and lets him work through a moral quandary.
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Slate
Resource

January 12, 2018

[Liam] Neeson lands plenty of punches, but the movie works best when he's fighting shadows or fighting himself.
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Stuff.co.nz
Resource

January 17, 2018

Spanish helmer Collet-Serra keeps the action, twists and conspiracy coming thick and fast, while also throwing in some artful editing and genuine jumps.
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The Arts Desk
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January 18, 2018

It's formulaic and you can probably guess the ending, but it's a pacy, enjoyable thriller capable of laughing at itself.
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ChrisStuckmann.com
Resource

January 17, 2018

It doesn't overstay its welcome, it doesn;t overstep its boundaries with its plot. It just tries to be an entertaining movie with characters that you can get behind.
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San Diego Reader
Resource

January 12, 2018

If you don't think too hard about why Neeson gets brought in or how the baddies operate or what the point is, you may be able to enjoy yourself. At least until the final act, when the film goes off the rails. Like a train might do.
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Flicks.co.nz
Resource

January 17, 2018

As relentless as its sixty five-year-old lead actor and eager to entertain, logic be damned.
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Globe and Mail
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January 12, 2018

With Collet-Sera in the conductor's seat, and Neeson his increasingly eager attendant, the film stays on track.
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New York Magazine/Vulture
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January 12, 2018

The train is the most realistic performer here, but you could do a lot worse.
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New Yorker
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January 15, 2018

The set pieces and the cliché dialogue seem piled on randomly ...
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The Atlantic
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January 12, 2018

Jaume Collet-Serra has always exulted in details-it's what helps him stand out as an artist even though he mostly makes this kind of easily dismissed genre fare.
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