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The Aviator
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The Aviator
CRITICS OF "The Aviator"
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Common Sense Media

December 28, 2010

Good but not great, and not for younger kids.
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eFilmCritic.com
Resource

July 23, 2007

Scorsese's most engaged and engaging filmmaking in a while.
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Washington Post
Resource

May 20, 2005

Its primary appeal is its speed: It rushes along, from scandal to air crash to movie romance to Senate hearing, each anecdote well realized but never tarried over.
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WBAI Web Radio
Resource

February 08, 2007

All tabloid style gloss accessorized with brassy special effects, and bloated storytelling based loosely on period gossip.
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Seanax.com
Resource

October 06, 2016

This is high-style filmmaking wrapped up in a tormented hero whose soaring flights of greatness are matched by the mortal pull of his devils,...
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Big Picture Big Sound
Resource

July 14, 2007

Its plot moves from event to event without a story driving it and the audience is left drifting along.
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Newsweek
Resource

November 01, 2007

This almost-great epic has one foot in legend: it's a vision of an American titan that could have sprung from the insides of Hughes's own obsessive, perfectionist head.
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Sacramento News & Review
Resource

August 07, 2008

It's all rather sprawling and a bit disjointed, but Scorsese's vigorous pacing and eye for detail hold it all together and provide a vivid setting for DiCaprio's masterful performance (his best work yet).
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Houston Chronicle

April 21, 2005

This undoubtedly is the movie Scorsese set out to make, and he made it exceedingly well. Still, we can fault him for choosing to celebrate its subject instead of examining him.
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Time Out
Resource

June 24, 2006

Despite a pacy, technically brilliant but otherwise slightly ordinary first half-hour or so, Scorsese's Howard Hughes movie is his best since The Age of Innocence.
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TIME Magazine
Resource

February 03, 2010

This handsome movie is an oddly well-behaved one to come from the preternaturally energetic Scorsese.
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AV Club
Resource

September 26, 2005

It's a measure of The Aviator's complexity and ambiguity that it can be read equally as a celebration of rugged, capitalist individualism and as a leftist critique of cutthroat free-market competition.
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