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The 15:17 to Paris
This movie tells the real-life story of three Americans: Anthony Sadler, Oregon National Guardsman Alek Skarlatos, and U.S. Air Force Airman First Class Spencer Stone, who discover a terrorist plot aboard a train while in France.
4 June 1972, Wiesbaden, Hesse, Germany
27 December 1995, LaGrange, Georgia, USA
20 July 1975, Detroit, Michigan, USA
August 12, 1954 in Rouen, Seine-Inférieure [now Seine-Maritime, Normandy], France
March 02, 2018
Clint Eastwood's The 15:17 to Paris takes a taut, engrossing, and surprising nonfiction book-the most complete and genuine account of an act of real-life heroism that enthralled the whole free world-and turns it into a flaccid, bewildering docudrama.
February 26, 2018
[Clint] Eastwood lacks subtlety. [Full Review in Spanish]
February 09, 2018
The 15:17 to Paris shows that the 87-year-old director is still capable of surprises.
February 23, 2018
An authentic, somewhat tedious re-enactment of a historical event that was ripped from the headlines.
March 12, 2018
From a Clint Eastwood directorial, one expects better. Alas, this one is relegated to being merely an experiment in casting.
February 24, 2018
If you're open to the power of Eastwood's formalistic radicalism, it will reveal itself as an admirable piece of hero storytelling - one that, as its tagline suggests, focuses on the real heroes.
February 12, 2018
Despite good intentions, the movie never lives up to the breathless excitement the real-life story promises.
February 26, 2018
As a Clint Eastwood experiment, and a sincere tribute to the heroism of the three men involved, it succeeds with its earnestness.
February 09, 2018
A consummate work in Eastwood's filmography.
February 12, 2018
"The 15:17 to Paris" suffers from an excess of dramatic wadding, and the over-all effect is too muffled and often too dull, sadly, to make an impact.
February 14, 2018
They're all handsome but just appalling actors. This disjuncture is impossible to forget while watching the film, and it's very uncomfortable.
February 09, 2018
The action sequence on the train is truly remarkable, and Eastwood shoots with a documentary-style immediacy, but the surrounding film - especially the script and performances - doesn't serve this thrilling true-life story, or the audience.