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Tango and Cash
Police officers Ray Tango and Gabe Cash are narcotics experts, who, while both being extremely successful, can't stand each other. And now they must team up to bring down drug lord Yves Perret.
1960, Singapore
20 April 1959, Burbank, California, USA
11 May 1955, Chicago, Illinois, USA
3 June 1950, Chicago, Illinois, USA
14 February 1966, San Diego County, California, USA
20 February 1945, Redlands, California, USA
5 May 1926, Brattleboro, Vermont, USA
31 December 1933, Hollywood, Los Angeles, California, USA
2 August 1943, Evanston, Illinois, USA
June 11, 2014
Tango and Cash is a loud, violent, badly written, rather boring cookie-cutter cop picture.
June 11, 2014
The result is great, brainless fun.
June 11, 2014
The ostensible humor here is of the macho one-liner variety, and much of it falls flat.
May 06, 2008
A very smart 'dumb' movie.
June 07, 2016
'Tango & Cash' turns 25 years old next month, which means if it were a person, it'd be right around the right age to start realizing what a stupid movie 'Tango & Cash' is.
May 24, 2009
A bizarrely appealing movie, Tango & Cash is the essence of camp: it's bad and knows it's bad, so therefore, it's...good? [Blu-ray]
June 11, 2014
The film looks like the sort of queasy fever dream that might be produced by sitting through an entire Orson Welles film festival while eating pepperoni pizzas.
June 11, 2014
This form of self-conscious action filmmaking is smeared over both Stallone and Russell. They mug mercilessly (none too well) and, of course, they rely on plenty of bang and firepower to disguise a sour and often nasty script.
May 06, 2008
A mindless buddy cop pic, loaded with nonstop action that's played mostly for laughs and delivers too few of them.
June 11, 2014
Both men think that the best way to deliver the right to remain silent to the usual suspects is via a right hook.
June 11, 2014
The jokes seem lame and the rivalry fraudulent, as the two boys play with their big guns.
June 11, 2014
Tango and Cash is a waste of talent and energy on all levels: unworthy of Konchalovsky, unworthy also of Stallone, Russell and every superior technical credit on the film.