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Snake Eyes
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Snake Eyes
CRITICS OF "Snake Eyes"
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TV Guide
Resource

September 18, 2008

Brian De Palma's exercise in flashy paranoia and shallow cynicism comes out of the gate like gangbusters, but falls apart in a flurry of preposterous plotting.
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Slant Magazine
Resource

September 23, 2006

Snake Eyes is about multiple perceptions of one major event, their relationship to each other and to the audience.
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San Francisco Chronicle
Resource

June 18, 2002

What might have been fascinating after a while becomes frustrating and, finally, a real slog.
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Fantastica Daily

January 24, 2006

A moderately suspenseful thriller that seems somewhat conventional compared to De Palma's earlier envelope-pushing efforts. Intriguing, but the mystery villain is rather obvious from the start.
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City Pages, Minneapolis/St. Paul
Resource

August 21, 2009

De Palma continues perfecting his brilliant visual style within the most blatantly artificial plot scenarios.
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Combustible Celluloid
Resource

May 26, 2006

The first 20 minutes of Snake Eyes are among the most imaginative and energetic minutes of film I've seen in a while.
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New York Observer
Resource

April 27, 2007

Never loses its bearings as it hovers between preposterous paranoia and a Billy-Wilder-like moral fable about a deeply flawed hero who draws a line in the sand beyond which he cannot go.
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Film4
Resource

September 18, 2008

Aside from a sensational, continuous 20-minute opening take, and an amazing shot that literally swoops over the top of a row of hotel rooms, there's little of interest here.
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Chicago Sun-Times
Resource

January 01, 2000

It's the worst kind of bad film: the kind that gets you all worked up and then lets you down, instead of just being lousy from the first shot.
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Time Out
Resource

February 09, 2006

The film echoes the technical wizardry and complex plotting of De Palma's best film, Blow Out.
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Variety
Resource

September 18, 2008

Wispy threads of dramatic plausibility and character involvement unravel completely by the time of the incredibly silly final reel.
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Globe and Mail
Resource

July 12, 2002

Director Brian De Palma does his stylish best to weave the patchy script into a cinematic quilt, but despite his best efforts -- and they're often formidable -- the thing just doesn't cohere.
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