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Sin Nombre
In this action and drama film, a Honduran teenager faces a dangerous path as he tries to find a better life. The young man decided to emigrate to the United States, but found himself on a bad path when he was trapped in gang violence day after day.
![Amores Perros [Sub: Eng]](https://static.new-movies123.link/dist/img/REMiCqtWCXMT9OtB31aru49X2uUYnBkH6TFxvF7UJ2dId-pHaepqzn1QGsgs6MHvMCekPuli2G4F98avans6YXEPIvEfmA9cVs9kq4uhFB6trlqrLMP0JYnYOjtzeGkX.jpg)
19 February 1992, Mexico City, Distrito Federal, Mexico
1970, Mexico City, Mexico
October 20, 2014
[F]or all its raw simplicity, the film manages to conjure a veritable library of references.
March 01, 2011
It's a drama, a romance and a thriller, but make no mistake - Sin Nombre pulls no punches in delivery a raw, powerful film that shrugs aside genre convention.
April 17, 2009
Intense Spanish-language feature debut intrigues but doesn't quite gel.
July 29, 2010
full review at Movies for the Masses
September 29, 2015
Sin Nombre still leaves an acrid aftertaste.
October 08, 2010
Spellbinding and nailbiting at the same time, "Sin Nombre’s" climax chillingly evokes the fable of the rabbit crossing the river on the crocodile’s back. Even amid such fleeting hope, its bone-deep fragility proved impossible to shake.
May 13, 2009
The actors, particularly Flores, have a documentary reality about them. Their reactions to most of their predicaments, even the ones given away too easily by the script, are real in the most human sense.
August 16, 2011
Fukunaga wastes no time with laborious explanations for his characters' motives.
April 17, 2009
Brutal, wrenching and filled with desperation and meanness, Sin Nombre signals a major new talent in writer-director Cary Fukunaga, who never flinches while telling a story so grim and sad it moves beyond tears to numbness.
May 07, 2009
Sin Nombre is pure filmmaking: a great story told in beautiful images.
August 14, 2009
It's a tribute to the visceral impact of the staging that the film retains its grip despite becoming somewhat predictable, while thematically it's the usual cycle-of-violence hand wringing.
May 01, 2009
Fukunaga paints better outside the lines, working with cinematographer Adriano Goldman to offer vivid shots of the poverty and despair cutting through Latin America.