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Silence (2016)
In a powerful and exciting mission for two Catholic missionaries. Andrew Garfield and Adam Driver will face a real test of their faith and religious power as they travel to Japan to search for their missing teacher from the time of Liam Neeson. Perhaps this will be the strongest test in their lives because Catholicism was banned at that time and the presence of such people was prohibited.
1933, Kobe, Japan
9 November 1974, Yokohama, Japan
17 February 1955, Yamanashi, Japan
19 September 1966, Tokyo, Japan
18 March 1965, Tokyo, Japan
9 February 1953, Belfast, Northern Ireland, UK
14 July 1979, Niigata, Japan
18 January 1963
April 06, 2017
It's a real high mass of a film, done with high craft in the highest seriousness.
March 28, 2017
Like the resolution of Ted Chiang's Tower of Babylon, there is no answer in inward faith: there's only the outward expression of grace. Silence is a masterpiece.
January 07, 2017
Scorsese's abiding passion and respect for his source material are everywhere in evidence. For once, perhaps, they are a little too great.
March 20, 2017
When it comes to both lengthy looks and the questions of faith that inspire them, Silence has many.
May 10, 2017
This is exquisite film-making from a master film-maker.
March 24, 2017
A brilliant reflection about complex themes that always showed up on Scorsese's films but are approached here in new and beautiful ways. [Full review in Portuguese]
January 13, 2017
Alternately powerful and somnolent.
April 04, 2017
An epic film about devotion, deception and the consolation of inner spirituality. [Full review in Spanish]
January 06, 2017
"Silence" feels like a career summation for a filmmaker who has spent his life exploring his faith through his work. Here is a movie about the importance of religion that will move you, regardless of whichever God you worship - or don't.
January 13, 2017
For those not exulted by the inner-workings of devotion, it's a slog.
January 13, 2017
Scorsese doesn't glorify martyrdom, and he doesn't even hate the killers. He makes death as blunt and dull and useless as a snapped pencil. The point is that there is no point.
January 12, 2017
This may not be Scorsese's best film, but it's unquestionably his most impassioned.