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Side Effects
The dramatic events continue in a film full of mystery. Events start in the life of Emily Taylor, and although reunited with her husband when she went out of prison, she suffers from severe depression with emotional incidents and suicide attempts. His psychiatrist, Jonathan Banks, after consultation with his former doctor, describes a new experimental drug called Aplicsa. The plot intensifies when the side effects of the drug kill Emily and her husband while he is asleep. Will you survive this action?
29 December 1972, Lewisham, London, England, UK
24 April 1949, New York City, New York, USA
15 June 1955, Gary, Indiana, USA
27 December 1980, New York, USA
June 21, 2016
It is, when the end credits roll, a sold, sturdy little mystery - sleek, and more than a little junk-foody.
April 17, 2016
It has "minor classic" written all over it.
February 11, 2013
A crafty teaser that presents itself as one kind of film before gradually evolving into another kind altogether. I, for one, enjoyed both enormously.
April 23, 2015
A chilling, disturbing portrait of the dangers of the pharmaceutical industry, as well as the evil of deceit.
July 14, 2016
A trimly paced thriller that plays with audience expectations and keeps viewers off-balance.
April 28, 2015
Where's Adrian Lyne when you need him?
June 13, 2013
Once Side Effects gets into its crime story, medication is swept aside by movie nonsense. The storyline goes into tangles that have to be dealt with very rapidly if the audience is not to start laughing.
May 10, 2016
The script by Scott Z. Burns is deliciously sinuous.
February 08, 2013
Steven Soderbergh is one of our best and most versatile directors.
March 05, 2013
As a thriller in the Hitchcock mould, 'Side Effects' is great fun: its characters are well acted without being entirely likeable, which makes their jeopardy all the more enjoyable while putting us at a clinical remove.
January 03, 2014
It's difficult to escape the impression that the movie is impressed only with its cleverness.
March 01, 2013
Soderbergh is less interested in making statements than he is in skillfully fulfilling genre expectations.