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Shock and Awe
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Shock and Awe

Description
The film is based on the true events of Knight Ridder journalists who were the only ones who 'got it right' in the lead-up to the 2003 Iraq War when they questioned the true nature of the Bush White House's justification for the conflict.
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Shock and Awe
CRITICS OF "Shock and Awe"
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Deadline Hollywood Daily
Resource

July 11, 2018

Rob Reiner tells the truth of an endangered free press in a powerful and pertinent drama about journalists who just want to get it right.
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Punch Drunk Critics
Resource

July 10, 2018

...the fire is missing and we're left wondering what happened to the impassioned director of A Few Good Men and The American President?
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Arizona Republic
Resource

July 12, 2018

Are we supposed to take this as some sort of cautionary tale about what happens when governments and journalists fail in their duty to tell the truth? I'm afraid we're long past those particular warning lights, Mr. Reiner.
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Black Girl Nerds
Resource

July 09, 2018

Shock And Awe hasits share of some minor storytelling flaws - but executes a relevant reflection on the state of journalism.
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Blu-ray.com
Resource

July 11, 2018

Not a strong enough movie to truly strike at the heart of corruption.
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Solzy at the Movies
Resource

July 09, 2018

Whether the public wants it or not, Shock and Awe is a reminder that journalists--even cable talking heads--should always work to seek the truth.
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San Francisco Chronicle
Resource

July 13, 2018

Though at times the reporters seem too prescient, and the script suggests an exaggerated awareness of future history, this is an entertaining film about a frustrating situation.
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Film Journal International
Resource

July 11, 2018

[A] flat-footed, exposition-laden film.
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New York Times
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July 12, 2018

It... captures an aspect of journalism not often portrayed: the fear of being wrong when the conclusions of your reporting break from those of your competitors.
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Los Angeles Times
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July 12, 2018

If this swift, entertaining film, set during the post-9/11 run-up to the Iraq war, brashly leans left, it has history on its side as well as, it seems, the interests of our soldiers.
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RogerEbert.com
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July 13, 2018

The filmmaking here is so pedestrian, flat-footed and overly-obvious as to leave Shock and Awe one of those second-rate dramatic movies that make you wish that it had been a top-notch documentary instead.
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New York Magazine/Vulture
Resource

July 12, 2018

The problem isn't Reiner taking dramatic liberties with the facts, it's that his toolbox for doing so hasn't changed since the mid-'90s.
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