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RoboCop
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RoboCop
CRITICS OF "RoboCop"
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Antagony & Ecstasy
Resource

February 18, 2014

A perfect version of the thing it sets out to be, one of the most intellectual and propulsive of all '80s action films.
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Philadelphia Daily News
Resource

February 11, 2014

It proceeds from a vision, and it takes that vision seriously. It ends up being moving -- and for a comic book of a movie, that's no small achievement.
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ReelViews
Resource

July 14, 2009

A sci-fi action film with a silly title that turned out to be a biting satire of big business practices.
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People Magazine
Resource

February 11, 2014

Robocop is a strangely perverse pleasure. Who would expect such a rattletrap concoction to emerge as this summer's sleeper?
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CinePassion
Resource

April 21, 2014

Paul Verhoeven on blockbuster explosions like Douglas Sirk on lachrymose households
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Film4
Resource

February 11, 2014

Paul Verhoeven's glorious sci-fi satire combines searing social comedy with some of the most graphic ultra-violence ever to grace legitimate cinema.
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Chicago Tribune
Resource

February 11, 2014

RoboCop relies for most of its impact -- and, more disturbingly, for much of its comedy -- on an absurd exaggeration of physical force.
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Christian Science Monitor
Resource

February 11, 2014

The story amounts to a celebration of brute force in a crudely etched law-and-order context.
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Chicago Reader
Resource

June 05, 2007

There's a brooding, agonized quality to the violence that almost seems subversive, as if Verhoeven were both appalled and fascinated by his complicity in the toxic action rot.
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Philadelphia Inquirer
Resource

February 11, 2014

When the law-enforcing RoboCop cleans up corrupt Motown, his victory is satisfying because he's got machinery and morals on his side. RoboCop is where high-tech meets High Noon.
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Los Angeles Times
Resource

February 11, 2014

Verhoeven's strong suits have always been visual energy and a Rabelaisan realism: a gutsy, jovial way of ripping through social systems.
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Orlando Sentinel
Resource

February 11, 2014

Like the tormented figure at its center, this movie combines the mechanical with the human. And though much of the film is made up of spare parts from cop shows, exploitation flicks and comic books, it nevertheless comes to life.
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