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Revolver
The film is about a gambler named Jake Green. It seems that Jake will be in real trouble when he enters a game with potentially lethal consequences that will change his life. Jake signed between a pistol and a difficult place he could not escape from where he found himself protected by a loan shark. Jake receives an offer he can not refuse, where he must agree before it is too late.
14 May 1945, Kensington, London, England, UK
15 October 1961, London, England, UK
19 April 1971, Perth, Australia
30 July 1960, Bangor, Maine, USA
27 June 1978, Brixton, London, England, UK
27 April 1968, Sarajevo, Bosnia and Herzegovina
1969, Liverpool, England, UK
23 December 1980, London, England, UK
17 November 1957, Bromsgrove, Worcestershire, England, UK
6 September 1958, Flint, Wales, UK
26 September 1946, Tokyo, Japan
August 27, 2009
An unwieldy, short-circuiting film, packing "more tricks than a clown's pocket" yet imbued with brute spiritual force
April 03, 2008
It's not worth the bother.
December 07, 2007
Guy Ritchie's greasy little noir Revolver is good grindhouse fun until a last act that's like a meeting of a psychoanalysts' convention.
May 30, 2013
Revolver taps into a struggle everyone faces that only a small few have been able to relate to. It's not that this film isn't a mess, but that mountain of a mess is on top of a shiny gem of a film that is worthy of being admired.
March 15, 2008
Like De Palma before him, Ritchie knows how to express substance through style.
December 17, 2007
Not the disaster described in the British press but unlikely to restore Ritchie's luster.
January 06, 2009
Jesus, this is a stupid movie.
July 11, 2016
Incoherent.
December 14, 2007
The plot isn't intellectually challenging as much as it is confusing, and yet the big twist is completely telegraphed. Ritchie has created a movie that is patronizingly obvious one minute and impenetrable the next.
September 22, 2008
[A]bout as compelling a brief for Kabbalah as Battlefield Earth was for scientology.
December 07, 2007
It's an irritating, repetitive and pretentious psycho-metaphysical con-job that's ultimately about transcending the ego, and it owes a significant debt to the 1960s The Prisoner TV show -- but isn't nearly in the same artistic league.