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Reclaim

Description
In an attempt to investigate on the mysterious disappearance of their newly adopted daughter, Shannon and Steven, a young courageous and smart lovely couple, who do their best and struggle against getting their daughter back, but in doing so, incidents come to frustrate them, as they unveil the horrible truth.
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DIRECTORS OF "Reclaim"
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CRITICS OF "Reclaim"
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Blu-ray.com
Resource

October 02, 2014

Reclaim isn't a disaster, it's just disappointing and thoughtless after a potent introduction.
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Slant Magazine
Resource

September 16, 2014

Reclaim's highly mechanized plot ensures that the film is over before it even ends.
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New York Daily News
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September 18, 2014

There are no twists or even surprises, except the final realization that director Alan White is taking his culturally clueless, ineptly shot B-movie totally seriously.
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Movie Chambers
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November 29, 2014

While we can all agree that human trafficking is a despicable thing, it's also clear that this amazingly inept screenplay fails to do the issue justice.
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Variety
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September 19, 2014

Alan White's polished but pedestrian pic mines little real suspense and few surprises from a formulaic script.
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The Dissolve
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September 19, 2014

Once the sides are firmly established, Reclaim dutifully goes through the subpar-thriller motions.
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Common Sense Media
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July 06, 2016

A totally routine movie that tries to combine a message about trafficked children with a lowbrow thriller about loved ones going missing in a foreign country.
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Los Angeles Times
Resource

September 18, 2014

Carmine Gaeta and Luke Davies' screenplay is constructed from plot mechanics, and the emotional stakes grow less convincing with every twist of the screw.
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TheWrap
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September 20, 2014

In any movie where good people are being scammed by nefarious ripoff artists, there's the potential moment where the protagonists become so stupid and trusting that you lose all sympathy for them. That moment occurs about midway through Reclaim
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New York Times
Resource

September 18, 2014

A message before the closing credits cites the widespread incidence of child trafficking, but any social import is lost. This isn't activism; it's by-the-numbers suspense.
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