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Point Blank
The film centers on Lee Marvin and John Vernon are partner are about to rob a huge of money. One day, because of the loot, Vernon decides to shoot Marvin. After two years, Marvin comes back and is eager to revenge.
2 April 1935, Toronto, Ontario, Canada
December 12, 1920
26 July 1901, New York City, New York, USA
September 18, 1918 in Macon, Georgia, USA
5 February 1920, Columbus, Ohio, USA
3 December 1900, Illinois, USA
20 March 1908, New York, USA
14 March 1935, Middletown, New York, USA
6 November 1914
2 July 1914, Chicago, Illinois, USA
1 February 1936, Pennsylvania, USA
29 July 1924, Toronto, Ontario, Canada
15 July 1906, Manila, Philippines
4 March 1905, Chicago, Illinois, USA
17 February 1919, Chicago, Illinois, USA
30 July 1938, Brooklyn, New York City, New York, USA
29 April 1918, New York, USA
25 January 1921, Los Angeles County, California, USA
1 November 1904, Antwerp, Belgium
January 2, 1897 in Bucharest, Romania
March 28, 2013
Has aged as well as Lee Marvin's brown jacket and tangerine shirt ensemble - that is to say, spectacularly.
March 22, 2013
Boorman brings an existential bleakness and depth to his genre material (adapted from Donald E. Westlake's novel), and Marvin's minimal dialogue enhances the impact of his performance.
March 29, 2013
Boorman brought a fresh eye to the LA locations in a film frequently remade but never equalled.
March 28, 2013
A movie to saviour again and again on the biggest screen you can get to.
February 21, 2008
Gritty, raw crime drama featuring tough Lee Marvin.
October 23, 2004
It gets back into the groove of Hollywood thrillers, after the recent glut of spies, counterspies, funny spies, anti-hero spies and spy-spier spies.
March 28, 2013
Can be seen as heralding a turning point in Hollywood cinema, which was to lead to the innovative filmmaking of the 1970s and beyond.
March 28, 2013
An intriguing, disorientating 60s artefact.
April 01, 2013
One of the four supreme masterworks in a major oeuvre ...
February 09, 2006
There are moments of breathtaking visual creativity, from the not-quite-freeze-frames over the opening credits to a series of confrontational close-ups when things turn violent.
March 29, 2013
An almost experimental discourse on crime, punishment and revenge brilliantly shot by Philip H. Lathrop.