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Night of the Living Dead (1968)
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Night of the Living Dead (1968)
CRITICS OF "Night of the Living Dead (1968)"
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Radio Times
Resource

October 07, 2013

Director George A Romero redefined the meaning of horror for fear-sated audiences in the 1960s with this seminal classic.
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Cinema Crazed
Resource

October 14, 2012

It's pitch perfect in writing, mood, and scares, and still holds up to scrutiny, no matter how harsh.
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Chicago Sun-Times
Resource

September 19, 2007

I felt real terror in that neighborhood theater last Saturday afternoon. I saw kids who had no resources they could draw upon to protect themselves from the dread and fear they felt.
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Empire Magazine
Resource

October 14, 2011

The original and the best.
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Antagony & Ecstasy
Resource

July 04, 2015

Carve[s] open the guts of American culture, using violence and even the horror genre itself as a tool rather than an end.
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Total Film
Resource

October 09, 2012

It's a virulent portrait of an America in flux and decay, from the flag billowing near the graveyard at the start to its disturbing depiction of a lynch-mob mentality. But Night also transcends its period through sheer intensity.
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Variety
Resource

October 03, 2008

Although pic's basic premise is repellent -- recently dead bodies are resurrected and begin killing human beings in order to eat their flesh -- it is in execution that the film distastefully excels.
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Projection Booth
Resource

January 23, 2013

Subjects us to the kind of unrelenting nightmare we only wish we could wake up from.
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Time Out
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January 26, 2006

Chuckle, if you can, during the first few minutes; because after that laughter catches in the throat as the clammy hand of terror tightens its grip.
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Village Voice
Resource

September 19, 2007

George Romero's remarkably assured debut, made on a shoestring, about a group of people barricaded inside a farmhouse while an army of flesh-eating zombies roams the countryside, deflates all genre clichés.
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New York Magazine/Vulture
Resource

October 07, 2013

If [Romero's] original vision of the undead looks dulled by today's standards, his embedded political commentary on racism feels just as sharp.
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Chicago Reader
Resource

September 19, 2007

Over its short, furious course, the picture violates so many strong taboos -- cannibalism, incest, necrophilia -- that it leaves audiences giddy and hysterical.
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