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Most Likely to Murder
A comedy story follows a young called Billy who decided to return to his hometown after leaving it for many years. But unfortunately, he finds nothing good. His ex girlfriend is dating another guy. His friends have left the square. Now Billy has to adapt with his new life.
8 February 1955, Garden City, Long Island, New York, USA
4 April 1958, Johnson City, Tennessee, USA
13 July 1951, Brooklyn, New York, USA
21 May 1937, Auburn, Indiana, USA
18 March 1995, Los Angeles, California, USA
4 June 1955, Philadelphia, Pennsylvania, USA
3 April 1987, Los Angeles, California, USA
22 May 1961, New York City, New York, USA
March 12, 2018
Most Likely to Murder is a fun comedy noir and takes advantage of the chemistry between the cast. It's bound to become a classic for the ages.
March 24, 2018
Most Likely To Murder with its lame brain situations and surface-level comedy is mostly just an R-rated sitcom.
March 14, 2018
It's obvious on screen everyone had fun making the film, and the chemistry between [Doug] Mand and [Adam] Pally - long-time Upright Citizen Brigade collaborators - and [Rachel] Bloom (Crazy Ex-Girlfriend), make it a joy to watch.
May 02, 2018
...manages to be weird and silly and creepy in all the right places, and is simply a good time that will keep you guessing just as much as it has you laughing.
March 15, 2018
Most Likely to Murder is an enjoyable watch, blending qualities from both the comedy and thriller genres in a way that takes you on a fun ride, and possibly makes you even consider your own high school superlatives.
April 25, 2018
"Murder" remains rich with absurdity, humiliations, and bad decisions, with surges of physical comedy and effective improvisation keeping the viewing experience compelling.
May 01, 2018
Everyone feels left on autopilot, including Kartheiser, who seems to be playing a different flavor of borderline-unbelievable creepy in each scene.
March 24, 2018
Most Likely to Murder may not reinvent the wheel of holiday films, but its subversion of the genre, especially its willingness to fully indict and satirize its own protagonist, gives us ample reason to invest interest in the future of Gregor's filmography