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Lady Macbeth
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DIRECTORS OF "Lady Macbeth"
Lady Macbeth
CRITICS OF "Lady Macbeth"
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The Big Issue
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May 05, 2017

Lady Macbeth is a deftly assured cinematic debut from theatre director William Oldroyd: a film of unnerving, accumulating tension, punctuated by moments of violence that leave you reeling.
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Sunday Times (UK)
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May 01, 2017

Sometimes a glorious film appears like a cold dart out of an open sky.
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FILMINK (Australia)
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June 12, 2017

...the whole adds up to rather less than the sum of its parts.
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Observer (UK)
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April 30, 2017

This may be a low-budget affair (reportedly less than 500,000), but it's as richly textured as any more expensive period piece.
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Contactmusic.com
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May 05, 2017

Insinuating and bold, the film quickly worms its way under the skin, unnerving us to the core with its shocking story, clever camerawork and razor-sharp acting.
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Daily Express (UK)
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April 30, 2017

Directed with spare intensity by William Oldroyd, it's a picture as icily controlled as its heroine is wild and unpredictable.
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indieWire
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November 21, 2016

"Lady Macbeth" reveals the essence of its plot in the title, but the dark twists of the thrilling narrative still manage to surprise.
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Sunday Independent (Ireland)
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May 01, 2017

There are lots of moral issues raised: control vs freedom, freedom vs power, the crossing of moral boundaries and the notion that lust in women is akin to evil. I really liked it.
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PopMatters
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May 05, 2017

A film of genuine force, it strikes you in the gut with a clenched fist, simultaneously seduced by its beauty while recoiling at the moral abyss.
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Variety
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September 09, 2016

Florence Pugh announces herself as a major talent to watch in William Oldroyd's impressively tough-minded Victorian tragedy.
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Time Out
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April 25, 2017

This brilliantly feminist British indie film plunges a cold, sharp knife into the back of bonnet dramas.
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Hollywood Reporter
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September 09, 2016

Lady Macbeth mostly operates within established period conventions, but draws fresh blood from antique material thanks to a sparky cast, subtle nods to contemporary race and gender issues, and a hefty shot of gothic melodrama.
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