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Kill Bill Vol 1
A one time assassin called the Bride has been in coma for years, upon her revival, The Bride sets off on her quest to wreck vengeance, enduring unspeakable injury and unscrupulous enemies.
10 October 1984, Tsuchiura, Japan
1 January 1975, Tokyo, Japan
2 May 1968, Tochigi, Japan
22 August 1951, Guangdong, China
17 July 1969, Osaka, Japan
8 December 1936, Hollywood, Los Angeles, California, USA
21 June 1953, Houston, Texas, USA
1964, Osaka, Japan
4 October 1983, Tokyo, Japan
1943, Ishikawa, Japan
17 June 1954, Fukuoka, Japan
24 January 1966, Paris, France
January 12, 2016
delivers on every classic Tarantino brand that you'd come to expect
December 28, 2009
A head-spinning dream project of extraordinarily bi-polar, nutso invention, Vol. 1 is a candy store rampage, cheering on Tarantino's fetishes as he built a colorful war machine of ideal double-feature dementia.
October 16, 2003
I would argue that, in a bizarre way, Mr. Tarantino empowers women as no action-genre director before him ever has.
October 18, 2008
With its eclectic use of music and inventive mix of genres, Kill Bill is a striking and enigmatic revenge film visually and culturally rich and relentless in its action.
July 29, 2016
The tale is pure pulp, a catalogue of seventies martial arts revenge dramas and American B-movie action thrillers, and the style is pure Tarantino...
April 19, 2009
Quentin Tarantino's long awaited fourth film finds the pop culture carnivore of filmmaking reinvigorating cinema a second time over with a single-plot-trajectory revenge movie that utilizes samurai sword action with a shifting score of infectious guitar d
May 07, 2008
Even more gory and adolescent than its models, which explains both the fun and the unpleasantness of this globe-trotting romp.
December 24, 2010
Visually striking, but also very violent.
October 12, 2003
Simultaneously a spectacular act of movie-making and a slight movie.
June 24, 2006
It's all bang, bang; no kiss, kiss. But this is still bravura film-making from a prodigious talent, and Thurman may yet prove its saving grace.
May 07, 2008
A strange, fun and densely textured work that gets better as it goes along.
August 07, 2004
There is no ironic overlay in Tarantino's movies, no 'commenting' on the pop schlock he's replicating. He simply wants to remake in his own way the kinds of movies he's always loved, and he's about as uncynical as a movie geek can be.