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Juwanna Mann
The life of a talented basketball, Jamal Jiffiers, who has been banned from participating in the national basketball champion according to his shameful doings, the thing that leads him to dress up as a woman and participates in the women champion for basketball and he succeeds, but incidents come to climax when he falls in love with his roommate.

















11 July 1974, Bedford-Stuyvesant, Brooklyn, New York City, New York, USA


28 March 1959, Miami, Florida, USA

30 December 1943, Meridian, Mississippi, USA




2 April 1970, New York City, New York, USA

14 April 1963, Chicago, Illinois, USA


25 June 1966, Kinshasa, Democratic Republic of the Congo

16 October 1961, New York City, New York, USA



9 January 1965, Baltimore, Maryland, USA


27 April 1951, Philadelphia, Pennsylvania, USA

2 July 1954, Philadelphia, Pennsylvania, USA

22 December 1975, Decatur, Georgia, USA

8 December 1953, Miami, Florida, USA

2 February 1968, New York City, New York, USA


December 30, 2006
As limp as it is lazy.
November 26, 2002
...about as exciting to watch as two last-place basketball teams playing one another on the final day of the season.
July 03, 2002
A Tootsie-role sports farce that's a drag in every which way.
October 15, 2002
It's hard to know what to make of a film such as this, with its implicit message that it takes men to empower women in sports.
December 24, 2010
Cross-dressing sports comedy has lockerroom humor.
November 19, 2002
Some like it lukewarm in this tale.
February 27, 2007
The movie is sloppily edited, the gags limply staged, the dialogue and jokes stiff and stale. Even the action on the basketball court is unimaginative and boring.
January 15, 2004
Bogus and wickedly unoriginal.
June 25, 2002
Simplistic, silly and tedious.
February 09, 2006
An unpersuasive moral journey, with a smattering of laughs, that fails to justify the insulting premise that only a man can help the ladies win at both basketball and love.
February 27, 2007
The idea of transposing the story to the macho, greedy world of big-time sports is promising, but director Jesse Vaughan delivers only flat dialogue and predictable situations.
November 18, 2002
Vaughan brings such disregard to the film that its pedestrian on-court action might as well have been shot from the bleacher seats.