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House of Sand and Fog
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House of Sand and Fog
CRITICS OF "House of Sand and Fog"
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ColeSmithey.com
Resource

May 09, 2009

A lack of empathetic characters cripples this poorly paced but well acted drama about an Iranian family who purchase a city-auctioned bungalow in Northern California after its former tenant has been unjustly evicted.
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Empire Magazine
Resource

April 01, 2006

Demanding, provoking and painfully slow. The single most compelling reason for seeing it is the magnificent performance from Kingsley, who deserves every prize on the books.
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Chicago Tribune

February 04, 2004

You feel you not only know these people but where they come from.
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Blogcritics.org
Resource

July 19, 2005

The dramatic scheme is to show how two people ... intersect "tragically," but what we see is a group of characters who act as wrongheadedly and intransigently as imaginable.
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Common Sense Media

December 24, 2010

Serious and thoughtful; for mature teens+.
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Bangor Daily News (Maine)
Resource

November 18, 2005

Vadim Perelman's "House of Sand and Fog" is one of the low points of the current movie season. But then it's meant to be.
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Time Out
Resource

June 24, 2006

Perelman and his long-suffering stars make a spectacle of pain, but fail to register any lighter notes, while the denouement seems calculated to wring out every last tear.
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Urban Cinefile
Resource

October 18, 2008

A fiercely powerful and melancholy tale about dreams, aspirations and belonging, House of Sand and Fog is a marvellous adaptation.
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Salon.com
Resource

December 27, 2003

If this movie isn't quite the contempo-Greek tragedy it wants to be, it's still a powerful, almost unforgettable meditation on fate, cultural collision and the morality of renovating a house that isn't really yours.
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Washington Post
Resource

September 26, 2005

If "House of Sand and Fog" ultimately feels like a failed exercise, it has less to do with Perelman's limitations than with a book that would have been better served by staying on the page.
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Newsweek
Resource

November 01, 2007

The vivid clarity of the images, the compressed fury of the tale, are impossible to get out of your head.
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New York Magazine/Vulture

August 07, 2004

Connelly, who has often mistaken posing for acting, digs deep here; Aghdashloo ... gives us a portrait of a woman who is both dutiful to her husband and ravaged by his iron will. Kingsley is most impressive of all.
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