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Heat
CRITICS OF "Heat"
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Common Sense Media
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October 13, 2015

Criminal and police face off in bloody '90s action-adventure
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Radio Times
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April 29, 2014

Though punctuated by bursts of virtuoso action, including a running battle in downtown LA that ranks as one of the best action scenes ever filmed, it is the unusual emphasis on character that impresses most.
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Chicago Reader
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April 29, 2014

There's nothing really new in this lengthy 1995 thriller by writer-director Michael Mann about cops and robbers in Los Angeles, but it has craft, pacing, and an overall sense of proportion, three pretty rare classic virtues nowadays.
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Christian Science Monitor
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April 29, 2014

The performances are persuasive but the plot rattles on much too long.
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Suite101.com
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December 29, 2015

Ominous, operatic, often emulated but never equaled. This is go-for-broke, GOAT-level filmmaking - not only upending expectations but exceeding them with unanticipated success in its elegant, exciting examination of existential and emotional entropy.
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Baltimore Sun
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April 29, 2014

This is glandular, not intellectual, movie-making but it's at the highest end of technical expressiveness.
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New Yorker
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April 29, 2014

The taciturn De Niro and the braying Pacino share a flawless scene over a cup of coffee, but the real honors go to Val Kilmer and Ashley Judd as a warring, loving couple.
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Philadelphia Daily News
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April 29, 2014

A movie with two powerhouse performances and enough bad dialogue (it runs two hours, 45 minutes) to clog a Pentium processor.
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New York Daily News
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April 29, 2014

An odd though often entertaining blend of The Asphalt Jungle and Oprah, a traditional cops-and-robbers story weirdly fitted out with long, earnest discussions of interpersonal relationships.
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Philadelphia Inquirer
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April 29, 2014

So why doesn't Heat, with its elaborately staged, tautly edited robberies, its killer cast, edgy score and elegant cinematography, offer more satisfaction? It's the script, stupid.
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Chicago Tribune
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April 29, 2014

When Pacino's loud, bruised cop and De Niro's canny crook stare at each other, you can read something spent and weary in their eyes and voices. The heat is hell. So are their jobs -- but somebody's got to do them.
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Newsweek
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April 29, 2014

Just when it seemed that the only hope for crime movies lay in the postmodernist artifice of films like Pulp Fiction, Mann reinvests the genre with brooding, modernist conviction. This one sticks to your gut.
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